The Geneva Deception
JAMES TWINING
To Jack, Jill and Herbie. Vegas, baby.
‘There is a house in New Orleans They call the Rising Sun It’s been the ruin of many a poor boy And me, Oh Lord! was one’
Traditional American folk song
This story was inspired by a Carabinieri raid on a warehouse in the Geneva Freeport in 1995 and their discovery within it of over ten thousand illegally excavated antiquities worth over $35 million. The resulting investigation implicated the mafia and raised questions over the role of some of the world’s largest museums, collectors and auction houses in the multi-million-dollar international trade in illicit cultural artefacts.
All descriptions and background information provided on works of art, artists, thefts, antiquities smuggling, ‘orphans’, illegal excavation practices, and architecture are accurate, apart from the Desposito Eroli in Rome, which I have altered to suit my purpose.
For more information on the author and on the fascinating history, people, places, art and artefacts that feature in
The Geneva Deception
and the other Tom Kirk novels, please visit www.jamestwining.com
Extract from the Amherst Papyrus, original court records from the reign of Ramses IX (-1110 BC); translated by J. H. Breasted,
Ancient Records of Egypt
, Book IV (1904)
We opened their coffins and their coverings in which they were. We found this august mummy of this king…Its coverings were wrought with gold and silver, within and without; inlaid with every splendid costly stone.
We stripped off the gold, which we found on the august mummy of this god, and its amulets and ornaments which were at its throat, and the coverings wherein it rested. [We] found the King’s wife likewise; we stripped off all that we found on her likewise. We set fire to their coverings. We stole their furniture, which we found with them, being vases of gold, silver, and bronze.
We divided, and made the gold which we found on these two gods, on their mummies, and the amulets, ornaments and coverings, into eight parts.
Extract from letter written by Thomas Bruce, the seventh Earl of Elgin, to Giovanni Lusieri, 1801
I should wish to have, of the Acropolis, examples in the actual object of each thing, and architectural ornament - of each cornice, each frieze, each capital of the decorated ceilings, of the fluted columns - specimens of the different architectural orders and of the variant forms of the orders - of metopes and the like, as much as possible. Finally everything in the way of sculpture, medals and curious marbles that can be discovered by means of assiduous and indefatigable excavation.
‘I see wars, terrible wars, and the Tiber foaming with blood’
Virgil,
The Aeneid,
Book VI, 86
Ponte Duca d’Aosta, Rome 15th March - 2.37 a.m.
The cold kiss roused him.
A teasing, tentative embrace, it nibbled playfully at his ear and then, growing in confidence, slipped down to nuzzle against his naked throat.
Eyes screwed shut, cheek pressed against the wooden decking, Luca Cavalli knew that he should enjoy this moment while it lasted. So he lay there, cradled by the darkness, the gentle swell of the river rocking him softly, concentrating on keeping the steady cadence of his breathing constant. So they wouldn’t notice he was awake.
Ahead of him, near the bow, a small pool of rainwater had gathered. He could hear it sloshing from side to side under the duckboards as the boat swayed, smell the rainbow shimmer of engine oil dancing across its surface, the heady scent catching in the back of his throat like an exotic perfume.
He had a strange, uncontrollable urge to swallow, to taste the raw truth of this moment while he still could.
The momentary stutter in his breathing’s rhythmic beat was all it took. Immediately, the thin lips resting against his skin parted with a snarl, and the sharp teeth of the knife’s serrated edge bit into him savagely. He was hauled upright, eyes blinking, shoulders burning where his wrists had been zip-locked behind his back.
There were three of them in all. One at the helm, his slab hands gripping the wheel. One perched on the bench opposite, a gun wedged into the waistband of his jeans and a cigarette balancing on his lip. One hugging him close, the knife he had caressed his cheek with only a few moments before now pressed hard against his belly.
They were silent, although there was something noisily boastful about their lack of disguise, as if they wanted him to know that they would never be caught, never allow themselves to be picked out from some Questura line-up. Perhaps because of this, the longer he gazed at them, the more featureless they appeared to become, their cruel faces melting into black shadows that he imagined travelled on the wind and lived in dark places where the light feared to go.
Instead, he was struck by their almost monastic serenity. Mute, their eyes fixed resolutely on the horizon, it was as if they had been chosen to
complete some divinely ordained quest. Part of him envied their solemn determination, their absolute certainty in their purpose, however base. These were not people whose loyalty could be bought or trust swayed. They were true believers. Perhaps if he’d shared their unswerving faith, he might have avoided his present damnation.
Cavalli gave a resigned shrug and glanced over the side. The river was engorged and running fast, the sharp ripples on the water’s ebony surface betraying the occasional patches of shallower ground where the current tripped and dragged against the muddy bed. Above them the streetlights glowed through the trees that lined the embankments on both sides, casting their skeletal shadows down on to the water. The roads appeared quiet, the occasional yellow wash of a car’s headlights sweeping through the gloom overhead as it turned, like a distant lighthouse urging him to safety.
Cavalli realised then that the engine wasn’t running, and that this whole time they had been carried forward noiselessly on the river’s powerful muscle as it flexed its way through the city. Peering behind them, he could see that because of this, and like some infernal, enchanted craft, they had left no wake behind them, apart from a momentary fold in the river’s dark velvet that was just as soon ironed flat again.
The gallows creak of the trees as they passed
under the Ponte Cavour interrupted his thoughts. He glanced up fearfully and caught sight of the cylindrical mass of the Castel Sant’Angelo up ahead, the blemishes in its ancient walls concealed by the sodium glare of the lighting that encircled it. To its rear, he knew, was the Passetto, the corridor that had for centuries served as a secret escape route from the Vatican to the castle’s fortified sanctuary. For a moment, he allowed himself to imagine that he too might yet have some way out, some hidden passage to safety. If only he could find it.
Still the current carried them forward, steering them towards the Ponte Sant’ Angelo and the carved angels lining its balustrades, as if gathered to hear his final confession. It was a strangely comforting thought, although as they drew closer, he realised that even this harmless conceit was to be denied him. The pale figures all had their backs to the river. They didn’t even know he was there.
Abruptly, the helmsman whistled, violating the code of silence that had been so religiously observed until now. Up ahead a light flashed twice from the bridge. Someone was expecting them.
Immediately the engine kicked into life as the helmsman wrestled control from the current and steered them towards the left-hand arch. The two other men jumped up, suddenly animated, one of them readying himself with a rope, the other tipping the fenders into place along the port
gunwales. As they passed under the arch, the helmsman jammed the throttle into reverse and expertly edged the boat against the massive stone pier, the fenders squealing in protest, the rattle of the exhaust echoing noisily off the vaulted roof. He nodded at the others and they leapt forward to secure the boat to the rusting iron rings embedded in the wall, leaving just enough play for the craft to ride the river’s swell. Then he switched the engine off.
Instantly, a bright orange rope came hissing out of the darkness, the excess coiling in the prow. The helmsman stepped forward and tugged on it to check it was secure, then found the end and held it up. It had already been tied into a noose.
Now, as he understood that there was to be no last-minute reprieve, that this was how it was really going to end, Cavalli felt afraid. Desperate words began to form in his mouth, screams rose from his stomach. But no sound came out, as if he had somehow been bound into the same demonic vow of silence that his captors seemed to have taken.
Hauling him out of his seat, the two other men dragged him over to where the helmsman was looping the surplus rope around his arm, and forced him on to his knees. Cavalli gave him a pleading look, gripped by some basic and irrational need to hear his voice, as if this final and most basic act of human communion might somehow
help soften the ordeal’s cold, mechanised efficiency. But instead, the noose was simply snapped over his head and then jerked tight, the knot biting into the nape of his neck. Then he was silently lifted to the side and carefully lowered into the freezing water.
He gasped, the change in temperature winding him. Treading water, he looked up at the boat, not understanding why they had tied the rope so long, its loose coils snaking through the water around him. The three men, however, hadn’t moved from the side rail, an expectant look on their faces as if they were waiting for something to happen. Waiting, he realised as he drifted a few feet further away from the boat, for the current to take him.
Without warning, the river grabbed on to him, nudging him along slowly at first and then, as he emerged out from under the bridge, tugging at his ankles with increasing insistence. He drew further away, the rope gently uncoiling in the water, the steep angle of the cord where it ran down from the bridge’s dark parapet getting closer and closer to him as the remaining slack paid out.
It snapped tight. Choking, his body swung round until he was half in and half out of the water, the current hauling at his hips and legs, the rope lifting his head and upper body out of the river, the tension wringing the water from the fibres.
He kicked out frantically, his ears flooding with an inhuman gurgling noise that he only vaguely
recognised as his own voice. But rather than free himself, all he managed to do was flip himself on to his front so that he was face down over the water.
Slowly, and with his reflection staring remorselessly back up at him from the river’s dark mirror, Cavalli watched himself hang.
