14th Deadly Sin: (Women’s Murder Club 14) (29 page)

I kept walking in the direction of my apartment, but with every step it became clear where I truly wanted to go. It was wherever Claire had been going.

Who was she meeting?

Suddenly, I was channeling Oliver Stone, somehow trying to link her murder to the story she’d been chasing. But that was crazy. I saw her murder in black and white. It was a robbery. She was in the wrong place at the wrong time, and as much as that was a cliché, so, too, was her death. She’d be the first to admit it.

“Imagine that,” I could hear her saying. “A victim of violent crime in New York City.
How original.
”

Still, I’d become fixated on wanting to know where she’d been heading when she left my apartment. A two-hundred-dollar-an-hour shrink would probably call that sublimated grief, while the four-hundred-dollar-an-hour shrink would probably counter with sublimated anger. I was sticking with overwhelming curiosity.

I put myself in her shoes, mentally tracing her steps through the lobby of my building and out to the sidewalk. As soon as I pictured her raising her arm for a taxi, it occurred to me.
The driver.
He at least knew the address. For sure, Claire gave it to him when he picked her up.

Almost on cue, a taxi slowed down next to me at the curb, the driver wondering if I needed a ride. That was a common occurrence late at night when supply far outweighed demand.

As I shook him off, I began thinking of what else Claire’s driver might remember when Lamont interviewed him. Tough to say after the beating he took. Maybe the shooter had said something that would key his identity, or at least thin out the suspects. Did he speak with any kind of accent?

Or maybe the driver had seen something that wasn’t visible to that surveillance camera. Eye color? An odd-shaped mole? A chipped tooth?

Unfortunately, the list of possibilities didn’t go on and on. The ski mask, turtleneck, and gloves made sure of that. Clearly, the bastard knew that practically every taxi in the city was its own little recording studio. So much for cameras being a deterrent.

As the old expression goes, show me a ten-foot wall and I’ll show you an eleven-foot ladder.

The twenty blocks separating me from my apartment were a daze. I was on autopilot, one foot in front of the other. Only at the sound of the keys as I dropped them on my kitchen counter did I snap out of it, realizing I was actually home.

Fully dressed, I fell into my bed, shoes and all. I didn’t even bother turning off the lights. But my eyes were closed for only a few seconds before they popped open.
Damn.
All it took was one breath, one exchange of the air around me, and I was lying there feeling more alone than I ever had in my entire life.

The sheets still smelled of her.

I sat up, looking over at the other side of the bed … the pillow. I could still make out the impression of Claire’s head. That was the word, wasn’t it?
Impression.
Hers was everywhere, most of all on me.

I was about to make a beeline to my guest room, which, if anything, would smell of dust or staleness or whatever other odor is given off by a room that’s rarely, if ever, used. I didn’t care. So long as it wasn’t her.

Suddenly, though, I froze. Something had caught my eye. It was the yellow legal pad on the end of the bed, the one Claire had used when she took the phone call. She’d ripped off the top sheet she’d written on.

But the one beneath it …

Many thanks to these top professionals for their guidance and wise counsel in the writing of this book: attorney Philip R. Hoffman of New York, Captain Richard Conklin of the Stamford, Connecticut, Police Department, and Humphrey Germaniuk, medical examiner and coroner for Trumbull County, Ohio.

We also wish to thank our fantastic researchers Ingrid Taylar and Lynn Colomello. Thanks also to Mary Jordan, who keeps it all together.

Four women sit at their usual table in Susie’s bar, and the conversation, as always, is murder…

LINDSAY BOXER

A homicide detective in the San Francisco Police Department, juggling the worst murder cases with the challenges of being a first-time mother. Her loving husband Joe, baby daughter Julie and loyal border-collie Martha give her a reason to protect the city. She’s not had the easiest start in life, with an absent father and an ill mother, and she doesn’t shy away from a difficult career. Keeping control of her head and her heart can be tough, but with the help of her friends, Lindsay makes it her mission to solve the toughest cases.

CLAIRE WASHBURN

Chief Medical Examiner for San Francisco and one of Lindsay’s oldest friends. Wise, confident and viciously funny, she can be relied on to help, whatever the problem. She virtually runs the Office of the Coroner for her overbearing, credit-stealing boss, but rarely complains. You may hear her called ‘Butterfly’ thanks to a tattoo just below her waist. Happily married with children, her personal life is relatively calm in comparison to her time in the Women’s Murder Club.

CINDY THOMAS

An up-and-coming journalist who’s always looking for the next big story. She’ll go the extra mile, risking life and limb to get her scoop. Sometimes she prefers to grill her friends over cocktails for a juicy secret, but, luckily for them, she’s totally trustworthy – most of the time … She’s just published a book, somehow finding the time to write between solving cases, writing articles for the
San Francisco Chronicle
and keeping her on–off relationship with Lindsay’s partner, Rich Conklin, together. Other than reading, she loves yoga and jazz music.

YUKI CASTELLANO

One of the best lawyers in the city, and desperate to make her mark. Ambitious, intelligent and passionate, she’ll fight for what’s right, defending the underdog even if it means standing in the way of those she loves. Often this includes her husband – who is also Lindsay’s boss – Lt. Jackson Brady. Her friends can barely get a word in edgeways when she’s around, unless she’s got a Germain-Robin sidecar in her hand!

WHEN YOUR JOB IS MURDER, YOU NEED FRIENDS YOU CAN COUNT ON.

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Epub ISBN 9781473505575

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Published by Century, 2015

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Copyright © James Patterson, 2015
Excerpt from
Truth or Die
copyright © James Patterson, 2015

James Patterson has asserted his right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work

This novel is a work of fiction. Names and characters are the product of the author’s imagination and any resemblance to actual persons, living or dead, is entirely coincidental

First published in Great Britain in 2015 by
Century
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London SW1V 2SA

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Hardback ISBN 9781780892870
Trade paperback ISBN 9781780892887