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Authors: Alain de Botton

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2 There was a good deal of shopping to be done on the other side of security, where more than one hundred separate retail outlets vied for the attention of travellers – a considerably greater number than were to be found in the average shopping centre. This statistic regularly caused critics to complain that Terminal 5 was more like a mall than an airport, though it was hard to determine what might be so wrong with this balance, what precise aspect of the building’s essential aeronautical identity had been violated or even what specific pleasure passengers had been robbed of, given that we are inclined to visit malls even when they don’t provide us with the additional pleasure of a gate to Johannesburg.

At the entrance to the main shopping zone was a currency-exchange desk. Although we are routinely informed that we live in a vast and diverse world, we may do little more than nod distractedly at this idea until the moment comes when we find ourselves at the back of a bureau de change lined with a hundred safe-deposit boxes, some containing neat sheaves of Uruguayan pesos, Turkmenistani manats and Malawian kwachas. The trading desks of the City of London might perform their transactions with incomparable electronic speed, but patient physical
contact with thick bundles of notes offered a very different sort of immediacy: a living sense of the miscellany of the human species. These notes, in every colour and font, were decorated with images of strongmen, dictators, founding fathers, banana trees and leprechauns. Many were worn and creased from heavy use. They had helped to pay for camels in Yemen or saddles in Peru, been stashed in the wallets of elderly barbers in Nepal or under the pillows of schoolboys in Moldova. A fraying fifty-kina note from Papua New Guinea (bird of paradise on the back, Prime Minister Michael Somare on the front) hardly hinted at the sequence of transactions (from fruit to shoes, guns to toys) that had culminated in its arrival at Heathrow.

Across the way from the exchange desk was the terminal’s largest bookshop. Seemingly in spite of the author’s defensive predictions about the commercial future of books (perhaps linked to the unavailability of any of his titles at any airport outlet), sales here were soaring. One could buy two volumes and get a third for free, or pick up four and be eligible for a fizzy drink. The death of literature had been exaggerated. Whereas on dating websites, those who like books are usually bracketed into a single category, the broad selections on offer
at WH Smith spoke to the diversity of individuals’ motives for reading. If there was a conclusion to be drawn from the number of bloodstained covers, however, it was that there was a powerful desire, in a wide cross-section of airline passengers, to be terrified. High above the earth, they were looking to panic about being murdered, and thereby to forget their more mundane fears about the success of a conference in Salzburg or the challenges of having sex for the first time with a new partner in Antigua.

I had a chat with a manager named Manishankar, who had been working at the shop since the terminal first opened. I explained – with the excessive exposition of a man spending a lonely week at the airport – that I was looking for the sort of books in which a genial voice expresses emotions that the reader has long felt but never before really understood; those that convey the secret, everyday things that society at large prefers to leave unsaid; those that make one feel somehow less alone and strange.

Manishankar wondered if I might like a magazine instead. There was no shortage, including several with feature articles on how to look good after forty – advice of course predicated
on the assumption that one’s appearance had been pleasing at thirty-nine (the writer’s age).

Nearby, another bookcase held an assortment of classic novels, which had been imaginatively arranged, not by author or title, but according to the country in which their narratives were set. Milan Kundera was being suggested as a guide to Prague, and Raymond Carver depended upon to reveal the hidden character of the small towns between Los Angeles and Santa Fe. Oscar Wilde once remarked that there had been less fog in London before James Whistler started to paint, and one wondered if the silence and sadness of isolated towns in the American West had not been similarly less apparent before Carver began to write.

Every skilful writer foregrounds notable aspects of experience, details that might otherwise be lost in the mass of data that continuously bathes our senses – and in so doing prompts us to find and savour these in the world around us. Works of literature could be seen, in this context, as immensely subtle instruments by means of which travellers setting out from Heathrow might be urged to pay more careful attention to such things as the conformity and corruption of Cologne
society (Heinrich Böll), the quiet eroticism of provincial Italy (Italo Svevo) or the melancholy of Tokyo’s subways (Kenzaburō Ōe).

3 It was only after several days of frequenting the shops that I started to understand what those who objected to the dominance of consumerism at the airport might have been complaining about. The issue seemed to centre on an incongruity between shopping and flying, connected in some sense to the desire to maintain dignity in the face of death.

Despite the many achievements of aeronautical engineers over the last few decades, the period before boarding an aircraft is still statistically more likely to be the prelude to a catastrophe than a quiet day in front of the television at home. It therefore tends to raise questions about how we might best spend the last moments before our disintegration, in what frame of mind we might wish to fall back down to earth – and the extent to which we would like to meet eternity surrounded by an array of duty-free bags.

Those who attacked the presence of the shops might in essence have been nudging us to prepare ourselves for the end. At the Blink beauty bar, I felt anew the relevance of the traditional religious call to seriousness voiced in Bach’s Cantata 106:

Bestelle dein Haus
,
Denn du wirst Sterben
,
Und nicht lebendig bleiben
.

Set thy house in order,
For thou shalt die,
And not remain alive.

Despite its seeming mundanity, the ritual of flying remains indelibly linked, even in secular times, to the momentous themes of existence – and their refractions in the stories of the world’s religions. We have heard about too many ascensions, too many voices from heaven, too many airborne angels and saints to ever be able to regard the business of flight from an entirely pedestrian perspective, as we might, say, the act of travelling by train. Notions of the divine, the eternal and the significant accompany us covertly on to our craft, haunting the reading aloud of the safety instructions, the weather announcements made by our captains and, most particularly, our lofty views of the gentle curvature of the earth.

4 It seemed appropriate that I should bump into two clergymen just outside a perfume outlet, which released the gentle, commingled smell of some eight thousand varieties of scent. The older of the pair, the Reverend Sturdy, wore a high-visibility jacket with the words ‘Airport Priest’ printed on the back. In his late sixties, he had a vast and archetypically ecclesiastical beard and gold-rimmed spectacles. The cadence of his speech was impressively slow and deliberate, like that of a scholar unable to ignore, even for a moment, the nuances behind every statement, and accustomed to living in environments where these could be investigated to their furthest conclusions without fear of inconveniencing or delaying others. His colleague, Albert Kahn, likewise garbed for high visibility – though his jacket, borrowed from another staff member, read merely ‘Emergency Services’ – was in his early twenties and on a work placement at Heathrow while completing theological studies at Durham University.

‘What do people tend to come to you to ask?’ I enquired of the Reverend Sturdy as we passed by an outlet belonging to that perplexingly indefinable clothing brand Reiss. There was a long pause, during which a disembodied voice reminded us once more never to leave our luggage unattended.

‘They come to me when they are lost,’ the Reverend replied at last, emphasising the final word so that it seemed to reflect the spiritual confusion of mankind, a hapless race of beings described by St Augustine as ‘pilgrims in the City of Earth until they can join the City of God’.

‘Yes, but what might they be feeling lost
about
?’

‘Oh,’ said the Reverend with a sigh, ‘they are almost always looking for the toilets.’

Because it seemed a pity to end our discussion of metaphysical matters on such a note, I asked the two men to tell me how a traveller might most productively spend his or her last minutes before boarding and take-off. The Reverend was adamant: the task, he said, was to turn one’s thoughts intently to God.

‘But what if one can’t believe in him?’ I pursued.

The Reverend fell silent and looked away, as though this were not a polite question to ask of a priest. Happily, his colleague, weaned on a more liberal theology, delivered an equally succinct but more inclusive reply, to which my thoughts often returned in the days to come as I watched planes taxiing out to the runways: ‘The thought of death should usher us towards whatever happens to matter most to us; it should lend us the courage to pursue the way of life we value in our hearts.’

BOOK: A Week at the Airport
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