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Authors: Jo Gibson

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“Oh, my God!” Julie's knees sagged, and she was about to sink down in the snow, when Paul caught her in his strong arms.

“Are you all right?”

“I . . . I think so.” Julie's eyes were wide with horror. “Is he . . . dead?”

Paul's arms tightened around her and he cradled her against his chest. “He's dead. There's no way he can hurt you now.”

“Oh, Paul! Thank God you came! Uncle Bob was the stalker! And he killed Vicki!”

“I know, Julie. I know.”

They stood in the blowing snow, huddled in a tight embrace, until they heard Sheriff Nelson's siren. Then Julie turned to Paul with tears in her eyes. “He was crazy, you know. He didn't mean to kill her. He just wanted to keep her here so she couldn't marry Ross.”

Paul nodded, and led her toward the fire escape. There would be questions to answer, explanations to give. But just before they started down the metal stairs, Julie turned to Paul and kissed him. He'd saved her life, and she wanted to tell him how grateful she was. She also wanted to tell him that she was beginning to fall in love with him. But this wasn't the time. Or the place.

“Paul?”

“Yes, Julie.”

“Will you take me to one of your football games?”

“Uh . . . sure. I'd like that, Julie. But what made you think of football now?”

Paul was looking at her as if the strain had unhinged her a mind, and Julie actually managed a shaky smile. “I saw how you sidestepped when Uncle Bob tried to tackle you. And I think you're my favorite quarterback in the whole world!”

Epilogue

R
oss pulled the Saddlepeak Lodge van into a parking place in front of the small community hospital, and turned to look at his passengers. “Are you ready to go in?”

“I'm ready.” Julie smiled at him. A week had passed and Aunt Caroline was ready to come home from the hospital. She'd collapsed when she'd learned the truth about Uncle Bob, but now she was fully recovered.

Julie opened her door and got out of the van. Donna was right behind her. Then Paul got out and motioned to Ross. “Come on. You're coming in, aren't you?”

Ross looked worried. “I think I'll just wait here.”

“Oh, no, you don't!” Julie opened the driver's door and grabbed his arm. “Aunt Caroline specifically asked for you.”

As they went through the door and walked down the hall, Julie thought about how they'd all pulled together the night of Uncle Bob's horrible death. Since Aunt Caroline had been taken to the hospital, Paul and Donna had wanted Julie to spend the night at their house. Julie had refused. It wasn't right to leave Ross at the lodge alone. Donna had called her mother and they'd all stayed the night at the lodge, sitting in the lobby until long past midnight, sipping hot chocolate and talking about what had happened.

It had been a night for confessions. Ross had told them he'd had no idea that Uncle Bob was his real father. His mother had always talked about the handsome soldier who'd died in 'Nam, and she'd insisted that Uncle Bob was just a former employer and a family friend.

Paul had read them the letter that Vicki had left in the guest house for him, and Ross had been very relieved to learn that it was all a trap. Vicki hadn't been pregnant, and she hadn't chosen to commit suicide rather than marry him. Vicki had been desperate, and she'd tried to use him as a way to escape the stalker.

Then it had been Julie and Donna's turn. They'd told Ross and Paul about the videotaped diary, and Vicki's fascination with men whose names started with the letter R. That had cleared up a mystery for Paul. He'd always wondered why Vicki had called him Rock.

Now that they knew that Uncle Bob had been the stalker, the peepholes made sense. Uncle Bob had drilled them in the attic floor to spy on Vicki and Ross. Even the disembodied face at Julie's balcony window was explainable, now that they knew about Uncle Bob's obsession. The face had belonged to Uncle Bob. Julie hadn't been able to see the rest of his body, because he'd been leaning down from the fire escape to peer in her window. If Ross and Aunt Caroline had thought to look up at the fire escape, instead of down, they would have seen the footsteps he'd left when he'd climbed back up to the fifth story attic.

The only things they hadn't been able to explain were Julie's nightmares, the terrifying dreams where she'd
been
Vicki, and taken her place in the car. There were only two possible solutions. Either Vicki had really reached out from the grave to warn her about Uncle Bob, or the nightmares had been the product of Julie's own overactive imagination. It really didn't matter, now that Uncle Bob was dead. If Vicki's spirit had been restless, it was now at peace. And if Julie's own imagination had been prompting the nightmares, she couldn't possibly imagine anything more horrible than what had actually happened.

They'd all agreed on one thing, and Julie was glad. They would keep Vicki's secrets, and not tell anyone what had actually happened. Vicki had done some terribly selfish things, but she hadn't really meant to hurt anyone.

As they approached Aunt Caroline's room, Julie took Ross's arm. She could tell he was very nervous. He wasn't sure how Aunt Caroline would react to him, now that she knew he was Uncle Bob's son.

“Hey . . . it'll be okay.” Donna came up to slip an arm around Ross's waist. They'd been spending a lot of time together in the past few days, and Julie couldn't help hoping that they'd start dating. Ross was such a hard worker, he'd never learned how to relax and have fun. If anyone could teach him to loosen up and be a little less serious, it was Donna.

They found Aunt Caroline ready to go, dressed in a beautiful powder-blue suit. She looked strong and healthy, totally unlike the pale, confused woman who'd been taken to the hospital on a stretcher.

Julie rushed over to hug her aunt. And so did Donna. And even Paul. But Ross stood in the doorway, looking very out of place.

“Aren't you going to hug me, Ross?” Aunt Caroline held out her arms.

“Sure. But I didn't think you'd want me to . . . I mean, after what happened and all.”

“Come here, Ross.” Aunt Caroline patted the spot next to her on the bed, and Ross sat down. Then she slipped her arm around his shoulders and smiled at him. “I'm only going to say this once, and then I don't want to hear another word about it. We've all had a terrible shock, but it's over. Bob killed Vicki, and that was the act of an insane man. And his insanity almost cost Julie her life. When they did the autopsy, they found a brain tumor that had been growing slowly for years. That explains the horrible things he did. Bob's disease drove him mad.”

Julie nodded. What Aunt Caroline said made sense. “If they'd found the tumor earlier, could they . . .”

“No.” Aunt Caroline interrupted her. “It was inoperable, honey. And that's one of the reasons I asked you to bring Ross here today. I wanted him to know that his father wasn't a bad man.”

Ross nodded. Then he took a deep breath and let it out. “I didn't know that he was my father, Mrs. Hudson. My mother never told me.”

“Of course you didn't know. I didn't know, either. But now we do, and I'm glad you're here with me. I lost Bob's only daughter, but I still have his son. I hope you'll stay, Ross. It'll make me very happy if you're here to help me run Saddlepeak Lodge.”

Tears came to Ross's eyes, and he blinked them back. “You really want me to?”

“I certainly do. Vicki had a college fund, and I'd like you to have it. You can commute if you like, or you can live on the campus in Denver. Either way is fine with me. But when you graduate, I want you to come back as the manager of Saddlepeak Lodge.”

They all saw the expression of delight that crossed Ross's face. He'd told Julie that he loved Saddlepeak Lodge. He'd been there for almost five years, and it had become his home.

Ross reached out to hug Aunt Caroline. “I'll stay at the lodge, and I'll commute to Denver. Donna's going there in the fall, and we can car-pool. Thank you, Mrs. Hudson.”

“Caro.” Aunt Caroline smiled at him. “You really have to stop being so formal, now that you're my stepson.”

Julie felt tears of happiness fill her eyes, and she blinked them back. It was a touching scene. And then Paul slipped his arm around her shoulders, and she looked up to see that he was blinking back tears, too.

Aunt Caroline stood up, and Ross took her arm. Then she smiled at all of them. “I think we should have a little celebration tonight. This is a new beginning for all of us.”

Donna took Aunt Caroline's other arm, and they all began to walk out to the van. The day was perfect for a homecoming. The sky was a brilliant blue and the sun was shining brightly, reflecting off the banks of glittering white snow. Julie took a deep breath of the clear, chilled air and smiled.

“Julie?” Paul pulled her back, as Donna and Ross helped Aunt Caroline into the car. “Is it a new beginning for us, too?”

Julie knew what Paul was asking. Could she forget that he'd been involved with Vicki? Was she willing to put all this grief and trouble behind her, and make a fresh start?

Paul looked a little nervous as he waited for her answer, and Julie could tell that he really cared about her. She cared about him, too.

Julie smiled even wider as she reached out to shake his hand. “I'm Julie Forrester, and I'm very glad to meet you, Paul. I have the feeling we're going to be very, very good friends.”

WHERE INNOCENCE DIES . . .

Expectant parents Karen and Mike Houston are excited about restoring their old rambling Victorian mansion to its former glory. With its endless maze of rooms, hallways, and hiding places, it's a wonderful place for their nine-year-old daughter Leslie to play and explore. Unfortunately, they didn't listen to the stories about the house's dark history. They didn't believe the rumors about the evil that lived there.

 

 

. . . THE NIGHTMARE BEGINS.

It begins with a whisper. A child's voice beckoning from the rose garden. Crying out in the night. It lures little Leslie to a crumbling storm door. Down a flight of broken stairs. It calls to their unborn child. It wants something from each of them. Something in their very hearts and souls. Tonight, the house will reveal its secret.
Tonight, the other child will come out to play . . .

Please turn the page for an exciting sneak peek of

Joanne Fluke's
THE OTHER CHILD
coming in August 2014!

Prologue

T
he train was rolling across the Arizona desert when it started, a pain so intense it made her double over in the dusty red velvet seat. Dorthea gasped aloud as the spasm tore through her and several passengers leaned close.

“Just a touch of indigestion.” She smiled apologetically. “Really, I'm fine now.”

Drawing a deep steadying breath, she folded her hands protectively over her rounded stomach and turned to stare out at the unbroken miles of sand and cactus. The pain would disappear if she just sat quietly and thought pleasant thoughts. She had been on the train for days now and the constant swaying motion was making her ill.

Thank goodness she was almost to California. Dorthea sighed gratefully. The moment she arrived she would get her old job back, and then she would send for Christopher. They could find a home together, she and Christopher and the new baby.

She never should have gone back. Dorthea pressed her forehead against the cool glass of the window and blinked back bitter tears. The people in Cold Spring were hateful. They had called Christopher a bastard. They had ridiculed her when Mother's will was made public. They knew that her mother had never forgiven her and they were glad. The righteous, upstanding citizens of her old hometown were the same cruel gossips they'd been ten years ago.

If only she had gotten there before Mother died! Dorthea was certain that those horrid people in Cold Spring had poisoned her mother's mind against her and she hated them for it. Her dream of being welcomed home to her beautiful house was shattered. Now she was completely alone in the world. Poor Christopher was abandoned back there until she could afford to send him the money for a train ticket.

Dorthea moaned as the pain tore through her again. She braced her body against the lurching of the train and clumsily made her way up the aisle, carefully avoiding the stares of the other passengers. There it started and she slumped to the floor. A pool of blood was gathering beneath her and she pressed her hand tightly against the pain.

Numbness crept up her legs and she was cold, as cold as she'd been in the winter in Cold Spring. Her eyelids fluttered and her lips moved in silent protest. Christopher! He was alone in Cold Spring, in a town full of spiteful, meddling strangers. Dear God, what would they do to Christopher?

 

“No! She's not dead!” He stood facing them, one small boy against the circle of adults. “It's a lie! You're telling lies about her, just like you did before!”

His voice broke in a sob and he whirled to run out the door of the parsonage. His mother wasn't dead. She couldn't be dead! She had promised to come back for him just as soon as she made some money.

“Lies. Dirty lies.” The wind whipped away his words as he raced through the vacant lot and around the corner. The neighbors had told lies before about his mother, lies his grandmother had believed. They were all liars in Cold Spring, just as his mother had said.

There it was in front of him now, huge and solid against the gray sky. Christopher stopped at the gate, panting heavily. Appleton Mansion, the home that should have been his. Their lies had cost him his family, his inheritance, and he'd get even with all of them somehow.

They were shouting his name now, calling for him to come back. Christopher slipped between the posts of the wrought-iron fence and ran into the overgrown yard. They wanted to tell him more lies, to confuse him the way they had confused Grandmother Appleton, but he wouldn't listen. He'd hide until it was dark and then he'd run away to California where his mother was waiting for him.

The small boy gave a sob of relief when he saw an open doorway. It was perfect. He'd hide in his grandmother's root cellar and they'd never find him. Then, when it was dark, he'd run away.

Without a backward glance Christopher hurtled through the opening, seeking the safety of the darkness below. He gave a shrill cry as his foot missed the steeply slanted step and then he was falling, arms flailing helplessly at the air as he pitched forward into the deep, damp blackness.

 

Wade Comstock stood still, letting the leaves skitter and pile in colored mounds around his feet, smiling as he looked up at the shuttered house. His wife, Verna, had been right, the Appleton Mansion had gone dirt cheap. He still couldn't understand how modern people at the turn of the century could take stock in silly ghost stories. He certainly didn't believe for one minute that Amelia Appleton was back from the dead, haunting the Appleton house. But then again, he had been the only one ever to venture a bid on the old place. Amelia's daughter Dorthea had left town right after her mother's will was read, cut off without a dime—-and it served her right. Now the estate was his, the first acquisition of the Comstock Realty Company.

His thin lips tightened into a straight line as he thought of Dorthea. The good people of Cold Spring hadn't been fooled one bit by her tears at her mother's funeral. She was after the property, pure and simple. Bringing her bastard son here was bad enough, but you'd think a woman in her condition would have sense enough to stay away. And then she had run off, leaving the boy behind. He could make a bet that Dorthea was never planning to send for Christopher. Women like her didn't want kids in the way.

Wade kicked out at the piles of leaves and walked around his new property. As he turned the corner of the house, the open root cellar caught his eye and he reached in his pocket for the padlock and key he'd found hanging in the tool shed. That old cellar should be locked up before somebody got hurt down there. He'd tell the gardener to leave the bushes in that area and it would be overgrown in no time at all.

For a moment Wade stood and stared at the opening. He supposed he should go down there, but it was already too dark to be able to see his way around. Something about the place made him uneasy. There was no real reason to be afraid, but his heart beat faster and an icy sweat broke out on his forehead as he thought about climbing down into that small dark hole.

The day was turning to night as he hurriedly hefted the weather-beaten door and slammed it shut. The door was warped but it still fit. The hasp was in workable order and with a little effort he lined up the two pieces and secured them with the padlock. Then he jammed the key into his pocket and took a shortcut through the rose garden to the front yard.

Wade didn't notice the key was missing from his pocket until he was out on the sidewalk. He looked back at the overcast sky. There was no point in going back to try to find it in the dark. Actually he could do without the key. No one needed a root cellar anymore. It could stay locked up till kingdom come.

As he stood watching, shadows played over the windows of the stately house and crept up the crushed granite driveway. The air was still now, so humid it almost choked him. He could hear thunder rumbling in the distance. Then there was another noise—a thin hollow cry that set the hair on the back of his arms prickling. He listened intently, bent forward slightly, and balanced on the balls of his feet, but there was only the thunder. It was going to rain again and Wade felt a strange uneasiness. Once more he looked back, drawn to the house . . . as though something had been left unfinished. He had a vague sense of foreboding. The house looked almost menacing.

“Poppycock!” he muttered, and turned away, pulling out his watch. He'd have to hurry to get home in time for supper. Verna liked her meals punctual.

He started to walk, turning back every now and then to glance at the shadow of the house looming between the tall trees. Even though he knew those stories were a whole lot of foolishness, he felt a little spooked himself. The brick mansion did look eerie against the blackening sky.

 


Mama!
” He awoke with a scream on his lips, a half-choked cry of pure terror. It was dark and cold and inky black. Where was he? The air was damp, like a grave. He squeezed his eyes shut tightly and screamed again.


Mama!
” He would hear her footsteps coming any minute to wake him from this awful nightmare. She'd turn on the light and hug him and tell him not to be afraid. If he just waited, she'd come. She always came when he had nightmares.

No footsteps, no light, no sound except his own hoarse breathing. Christopher reached out cautiously and felt damp earth around him. This was no dream. Where was he?

There was a big lump on his head and it hurt. He must have fallen . . . yes, that was it.

He let his breath out in a shuddering sigh as he remembered. He was in his Grandmother Appleton's root cellar. He'd fallen down the steps trying to hide from the people who told him lies about his mama. And tonight he was going to run away and find her in California. She'd be so proud of him when he told her he hadn't believed their lies. She'd hug him and kiss him and promise she'd never have to go away again.

Perhaps it was night now. Christopher forced himself to open his eyes. He opened them wide but he couldn't see anything, not even the white shirt he was wearing. It must be night and that meant it was time for him to go.

Christopher sat up with a groan. It was so dark he couldn't see the staircase. He knew he'd have to crawl around and feel for the steps, but it took a real effort to reach out into the blackness. He wasn't usually afraid of the dark. At least he wasn't afraid of the dark when there was a lamppost or a moon or something. This kind of darkness was different. It made his mouth dry and he held his breath as he forced himself to reach out into the inky depths.

There. He gave a grateful sigh as he crawled up the first step of the stairs. He didn't want to lose his balance and fall back down again.

Four . . . five . . . six . . . he was partway up when he heard a stealthy rustling noise from below. Fear pushed him forward in a rush, his knees scraping against the old slivery wood in a scramble to get to the top.

He let out a terrified yell as his head hit something hard. The cover—somebody had closed up the root cellar!

He couldn't think; he was too scared. Blind panic made him scream and pound, beating his fists against the wooden door until his knuckles were swollen and raw. Somehow he had to lift door.

With a mighty effort Christopher heaved his body upward, straining against the solid piece of wood. The door gave a slight, sickening lurch, creaking and lifting just enough for him to hear the sound of metal grating against metal.

At first the sound lay at the back of his mind like a giant pendulum of horror, surging slowly forward until it reached the active part of his brain. The Cold Spring people had locked him in.

The thought was so terrifying he lost his breath and slumped into a huddled ball on the step. In the darkness he could see flashed of red and bright gold beneath his eyelids. He had to get out somehow!
He had to!

“Help!”
the sound tore through his lips and bounced off the earthen walls, giving a hollow, muted echo. He screamed until his voice was a weak whisper but no one came. Then his voice was gone and he could hear it again, the ominous rustling from the depths of the cellar, growing louder with each passing heartbeat.

God, no! This nightmare was really happening! He recognized the scuffling noise now and shivered with terror. Rats. They were sniffing at the air, searching for him, and there was nowhere to hide. They'd find him even here at the top of the stairs and they would come in a rush, darting hurtling balls of fur and needle teeth . . . the pain of flesh being torn from his body . . . the agony of being eaten alive!

He opened his throat in a tortured scream, a shrill hoarse cry that circled the earthen room then faded to a deadly silence. There was a roaring in his ears and terror rose to choke him, squeezing and strangling him with clutching fingers.

“Mama! Please, Mama!”
he cried again, and then suddenly he was pitching forward, rolling and bumping to the black pit below. He gasped as an old shovel bit deeply into his neck and a warm stickiness gushed out to cover his face. There was a moment of vivid consciousness before death claimed him and in that final moment, one emotion blazed its way through his whole being. Hatred. He hated all of them. They had driven his mother away. They had stolen his inheritance. They had locked him in here and left him to die. He would punish them . . . make them suffer as his mother had suffered . . . as he was suffering.

One

T
he interior of the truck was dusty and Mike opened the wing window all the way, shifting on the slick plastic-covered seat, Karen had wanted to take an afternoon drive through the country and here they were over fifty miles from Minneapolis, on a bumpy country road. It wasn't Mike's idea of a great way to spend a Sunday. He'd rather be home watching the Expos and the Phillies from the couch in their air-conditioned Lake Street apartment.

Mike glanced uneasily at Karen as he thought about today's game. He had a bundle riding on this one and it was a damn good thing Karen didn't know about it. She'd been curious about his interest in baseball lately but he'd told her he got a kick out of watching the teams knock themselves out for the pennant. The explanation seemed to satisfy her.

Karen was death on two of his pet vices, drinking and gambling, and he'd agreed to reform three years ago when they were married. Way back then he'd made all the required promises. Lay off the booze. No more Saturday-night poker games. No betting on the horses. No quick trips to Vegas. No office pools, even. The idea of a sportsbook hadn't occurred to her yet and he was hoping it wouldn't now. Naturally Mike didn't make a habit of keeping secrets from his wife but in this case he'd chosen the lesser of two evils. He knew Karen would hit the roof if he told her he hadn't gotten that hundred-dollar-a-month bonus after all, that the extra money came from his gambling winnings on the games. It was just lucky that he took care of all the finances. What Karen didn't know wouldn't hurt her.

“Cold Spring, one mile.” Leslie was reading the road signs again in her clear high voice. “Oh, look Mike! A church with a white steeple and all those trees. Can't we just drive past before we go home?”

Mike had been up most of the night developing prints for his spread in
Homes
magazine and he wasn't in the mood for extensive sightseeing. He was going to refuse, but then he caught sight of his stepdaughter's pleading face in the rearview mirror. Another little side trip wouldn't kill him. He'd been too busy lately to spend much time at home and these Sunday drives were a family tradition.

“Oh, let's, Mike.” Karen's voice was wistful. Mike could tell by her tone that she'd been feeling a little neglected lately, too. Maybe it had been a mistake insisting she quit her job at the interior decorating firm. Mike was old-fashioned sometimes, and he maintained that a mother's place was at home with her children. When he had discovered that Karen was pregnant he'd put his foot down insisting she stay home. Karen had agreed, but still she missed her job. He told himself that she'd be busy enough when the baby was born, but that didn't solve the problem right now.

Mike slowed the truck, looking for a turnoff. A little sightseeing might be fun. Karen and Leslie would certainly enjoy it and his being home to watch the game wouldn't change the outcome any.

“All right, you two win.” Mike smiled at his wife and turned left at the arrowed sign. “Just a quick run through town and then we have to get back. I still have to finish the penthouse prints and start work on that feature.”

Leslie gave Mike a quick kiss and settled down again in the back seat of their Land-Rover. When she was sitting down on the seat, Mike could barely see the top of her blond head over the stacks of film boxes and camera cases. She was a small child for nine, fair-haired and delicate like the little porcelain shepherdesses his mother used to collect. She was an exquisite child, a classic Scandinavian beauty. Mike was accustomed to being approached by people who wanted to use Leslie as a model. Karen claimed she didn't want Leslie to become self-conscious, but Mike noticed how she enjoyed dressing Leslie in the height of fashion. Much of Karen's salary had gone into designer jeans, Gucci loafers, and Pierre Cardin sweaters for her daughter. Leslie always had the best in clothes and she wore them beautifully, taking meticulous care of her wardrobe. Even in play clothes she always looked every inch a lady.

Karen possessed a different kind of beauty. Hers was the active, tennis-pro look. She had long, dark hair and a lithe, athletic body. People had trouble believing that she and Leslie were mother and daughter. They looked and acted completely different. Leslie preferred to curl up in a fluffy blanket and read, while Karen was relentlessly active. She was a fresh-air-and-exercise fanatic. For the last six years Karen had jogged around Lake Harriet every morning, dragging Leslie with her. That was how they'd met, the three of them.

Mike had been coming home from an all-night party, camera slung over his shoulder, when he spotted them. He was always on the lookout for a photogenic subject and he'd stopped to take a few pictures of the lovely black-haired runner and her towheaded child. It had seemed only natural to ask for Karen's address and a day later he was knocking at her door with some sample prints in one hand and a stuffed toy for Leslie in the other. The three of them had formed an instant bond.

Leslie had been fascinated by the man in her mother's life. She was five then, and fatherless. Karen always said Leslie was the image of her father—-a handsome Swedish exchange student with whom Karen had enjoyed a brief affair before he'd gone back to his native country.

They made an unlikely trio, and Mike grinned a little at the thought. He had shaggy brown hair and a lined face. He needed a shave at least twice a day. Karen claimed he could walk out of Saks Fifth Avenue, dressed in the best from the skin out, and still look like an unemployed rock musician. The three of them made a striking contrast in their red Land-Rover with MIKE HOUSTON, PHOTOGRAPHER painted on both doors.

Mike was so busy thinking about the picture they made that he almost missed the house. Karen's voice, breathless in his ear, jogged him back to reality.

“Oh, Mike! Stop, please! Just look at that beautiful old house!”

The house was a classic; built before the turn of the century. It sprawled over half of the large, tree-shaded lot, yellow brick gleaming in the late afternoon sun. There was a veranda that ran the length of the front and around both sides, three stories high with a balcony on the second story. A cupola graced the slanted roof like the decoration on a fancy cake. It struck Mike right away: here was the perfect subject for a special old-fashioned feature in
Homes
magazine.

“That's it, isn't it, Mike?” Leslie's voice was hushed and expectant as if she sensed the creative magic of this moment. “You're going to use this house for a special feature, aren't you?”

It was more a statement than a question and Mike nodded. Leslie had a real eye for a good photograph. “You bet I am!” he responded enthusiastically. “Hand me the Luna-Pro, honey, and push the big black case with the Linhof to the back door. Grab your Leica if you want and let's go. The sun's just right if we hurry.”

Karen grinned as her husband and daughter made a hasty exit from the truck, cameras in tow. She'd voiced her objections when Mike gave Leslie the Leica for her ninth birthday. “Such an expensive camera for a nine-year-old?” she'd asked. “She'll probably lose it, Mike. And it's much too complicated for a child her age to operate.”

But Mike had been right this time around. Leslie loved her Leica. She slept with it close by the side of her bed, along with her fuzzy stuffed bear and her ballet slippers. And she'd learned how to use it, too, listening attentively when Mike gave her instructions, asking questions that even Karen admitted were advanced for her age. Leslie seemed destined to follow in her stepfather's footsteps. She showed real talent in framing scenes and instinctively knew what made up a good photograph.

Her long hair was heavy and hot on the back of her neck and Karen pulled it up and secured it with a rubber band. She felt a bit queasy but she knew that was natural. It had been a long drive and she remembered getting carsick during the time she'd been carrying Leslie. Just a few more months and she would begin to show. Then she'd have to drag out all her old maternity clothes and see what could be salvaged.

Karen sighed, remembering. Ten years ago she was completely on her own, pregnant and unmarried, struggling to finish school. But once Leslie was born it was better. While it had been exhausting—attending decorating classes in the morning, working all afternoon at the firm, then coming home to care for the baby—it was well worth any trouble. Looking back, she could honestly say that she was happy she hadn't listened to all the well-meaning advice from other women about adoption or abortion. They were a family now, she and Mike and Leslie. She hadn't planned on getting pregnant again so soon after she met Mike, but it would all work out. This time it was going to be different. She wasn't alone. This time she had Mike to help her.

Karen's eyes widened as she slid out of the truck and gazed up at the huge house. It was a decorator's paradise, exactly the sort of house she'd dreamed of tackling when she was a naïve, first-year art student.

She found Leslie around the side of the house, snapping a picture of the exterior. As soon as Leslie spotted her mother she pointed excitedly toward the old greenhouse.

“Oh, Mom! Look at this! You could grow your own flowers in here! Isn't it super?”

“It certainly is!” Karen gave her daughter a quick hug. Leslie's excitement was contagious and Karen's smile widened as she let her eyes wander to take it all in. There was plenty of space for a children's wing on the second floor and somewhere in that vast expanse of rooms was the perfect place for Mike's studio and darkroom. The sign outside said FOR SALE. The thought of owning this house kindled Karen's artistic imagination. They
had
mentioned looking for a house only a week ago and here it was. Of course it would take real backbreaking effort to fix it up, but she felt sure it could be done. It would be the project she'd been looking for, to keep her occupied the next six months. With a little time, patience, and help from Mike with the heavy stuff, she could turn the mansion into a showplace.

They were peeking in through the glass windows of the greenhouse when they heard voices. Mike was talking to someone in the front yard. They heard his laugh and another, deeper voice. Karen grabbed Leslie's hand and they hurried around the side of the house in time to see Mike talking to a gray-haired man in a sport jacket. There was a white Lincoln parked in the driveway with a magnetic sign reading COMSTOCK REALTY.

 

Rob Comstock had been driving by on his way home from the office when he saw the Land-Rover parked outside the old Appleton Mansion. He noticed the painted signs on the vehicle's door and began to scheme. Out-of-towners, by the look of it. Making a sharp turn at the corner he drove around to pull up behind the truck, shutting off the motor of his new Continental. He'd just sit here and let them get a nice, long look.

This might be it
, he thought to himself as he drew a Camel from the crumpled pack in his shirt pocket. He'd wanted to be rid of this white elephant for years. It had been on the books since his grandfather bought it eighty years ago. Rob leased it out whenever he could but that wasn't often enough to make a profit. Tenants never stayed for more than a couple of months. It was too large, they said, or it was too far from the Cities. Even though the rent was reasonable, they still made their excuses and left. He'd been trying to sell it for the past ten years with no success. Houses like this one had gone out of style in his grandfather's day. It was huge and inconvenient, and keeping it up was a financial disaster. It seemed nobody wanted to be stuck with an eight-bedroom house . . . especially a house with a reputation like this one.

Rob finished his cigarette and opened the car door. Maybe, just maybe, today would be his lucky day. He put on his sincerest, most helpful smile and cut across the lawn to greet the owner of the Land-Rover. He was ready for a real challenge.

 

Leslie and Karen came around the corner of the house in time to catch the tail end of the sales pitch. Mike was nodding as the older man spoke.

“It's been vacant for five years now, but we check it every week to make sure there's no damage. It's a real buy, Mr. Houston. They don't build them like this anymore. Of course it would take a real professional to fix it up and decorate it but the price is right. Only forty-five even, for the right buyer. It's going on the block next week and that'll drive the price up higher, sure as you're standing here. These old estate auctions bring people in from all over; you'd be smart to put in a bid right now. Get it before someone buys the land and decides to tear it down and put in a trailer court.”

“That'd be a real shame.” Mike was shaking his head and Karen instantly recognized the thoughtful expression on his face. She'd seen it enough times when he was in the market for a new camera. He really was interested. Of course she was, too, she thought, giving the house another look. They'd already decided to get out of the Twin Cities and Mike could work anywhere as long as he had a studio and darkroom. The price was fantastically low and there was the new baby on the way. They couldn't stay in their two-bedroom apartment much longer. Out here she could raise flowers and enjoy working on the house. They might even be able to swing a tennis court in a couple of years and Leslie would have lots of room to play.

“I'd really have to think about it for a while,” Mike said, shrugging his shoulders. “And I'd have to see the inside, of course. If it needs a lot of work, the price would have to come down.”

“No problem, Mr. Houston.” The real estate agent turned to smile at Karen and Leslie. “Glad to meet you, ladies. I'm Rob Comstock from Comstock Realty and I've got the keys with me, if you folks would like to take a look. We've got at least an hour of daylight left.”

Karen had a sense of inevitability as she followed Leslie and Mike inside. She'd been dying to see the interior and here she was. One look at the huge high-ceilinged living room made her gasp. This room alone was bigger than their whole apartment! Stained-glass panes graced the upper sections of the floor-length windows and the hardwood floors were virtually unblemished.

BOOK: Afraid
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