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Authors: Charles Williams

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BOOK: All Hallows' Eve
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For he was going—in another sense. Her hand still raised, in that repelling gesture, she saw him move backwards, uncertainly, out of the range of that dimmed light. She went after him; he should not evade her. She was almost up to him and she saw him throw out his hands towards her. She caught them; she knew she caught them, for she could see them in her own, but she could not feel them. They were terrifying and he was terrifying. She brought her hands against her breast and they grew fixed there, as, wide-eyed with anger and fear, she watched him disappearing before her. As if he were a ghost he faded; and with him faded all the pleasant human sounds—feet, voices, bells, engines, wheels—which now she knew that, while she had talked to him, she had again clearly heard. He had gone; all was silent. She choked on his name; it did not recall him. He had vanished and she stood once more alone.

She could not tell how long she stood there, shocked and impotent to move. Her fear was at first part of her rage, but presently it separated itself, and was cold in her, and became a single definite thought. When at last she could move, could step again to the parapet and lean against it and rest her hands on it, the thought possessed her with its desolation. It dominated everything—anger and perplexity and the silence; it was in a word—“Dead,” she thought, “dead.” He could not otherwise have gone; never in all their quarrels had he gone or she; that certainty had allowed them a license they dared not otherwise have risked. She began to cry—unusually, helplessly, stupidly. She felt the tears on her face and peered at the parapet for her handbag and a handkerchief, since now she could not—O despair!—borrow his, as with her most blasting taunts she had sometimes done. It was not on the parapet. She took a step or two away, brushed with her hand the tears from her eyes, and looked about the pavement. It was not on the pavement. She was crying in the street and she had neither handkerchief nor powder. This was what happened when Richard was gone, was dead. He must be dead; how else could he be gone? how else could she be there, and so?

Dead, and she had done it once too often. Dead, and this had been their parting. Dead; her misery swamped her penitence. They had told each other it made no difference and now it had made this. They had reassured each other in their reconciliations, for though they had been fools and quick-tempered, high egotists and bitter of tongue, they had been much in love and they had been fighting their way. But she felt her own inner mind had always foreboded this. Dead; separate; forever separate. It did not, in that separation, much matter who was dead. If it had been she——

She. On the instant she knew it. The word still meant to her so much only this separation that the knowledge did not at first surprise her. One of them was; she was. Very well; she was. But then—she was. On that apparent bridge, beneath those apparent stars, she stood up and knew it. Her tears stopped and dried; she felt the stiffness and the stains on her apparent flesh. She did not now doubt the fact and was still not surprised. She remembered what had happened—herself setting out to meet Evelyn at the Tube, and instead coming across her just over there, and their stopping. And then the sudden loud noise, the shrieks, the violent pain. The plane had crashed on them. She had then, or very soon after, become what she now was.

She was no longer crying; her misery had frozen. The separation she endured was deeper than even she had believed. She had seen Richard for the last time, for now she herself was away, away beyond him. She was entirely cut off; she was dead. It was now a more foreign word than it had ever been, and it meant this. She could perhaps, if it was he who had been dead, have gone to him; now she could not. She could never get back to him, and he would never come to her. He could not: she had thrown him away. It was all quite proper; quite inevitable. She had pushed him away, and there was an end to Richard. But there was no end to her.

Never in her life had she contemplated so final an end which was no end. All change had carried on some kind of memory which was encouragement. She had not always supposed it to be so; she had told herself, when she left school, when she was married, that she was facing a new life. But she had, on the whole, been fortunate in her passage and some pleasantness in her past had always offered her a promise in the future. This however was a quite new life. Her good fortune had preserved her from any experience of that state which is—almost adequately—called “death-in-life”; it had consequently little prepared her for this life-in-death. Her heart had not fallen—ever, ever—through an unfathomed emptiness, supported only on the fluttering wings of everyday life; and not even realizing that it was so supported. She was a quite ordinary, and rather lucky, girl and she was dead.

Only the City lay silently around her; only the river flowed below, and the stars flickered above, and in the houses lights shone. It occurred to her presently to wonder vaguely—as in hopeless affliction men do wonder—why the lights were shining. If the City were as empty as it seemed, if there were no companion anywhere, why the lights? She gazed at them, and the wonder flickered and went away, and after a while returned and presently went away again, and so on for a long time. She remained standing there, for though she had been a reasonably intelligent and forceful creature, she had never in fact had to display any initiative—much less such initiative as was needed here. She had never much thought about death; she had never prepared for it; she had never related anything to it. She had nothing whatever to do with it, or (therefore) in it. As it seemed to have nothing to offer her except this wide prospect of London, she remained helpless. She knew it was a wide prospect, for after she had remained for a great while in the dark it had grown slowly light again. A kind of pale October day had dawned and the lights in the apparent houses had gone out; and then it had once more grown dark and they had shone—and so on—twenty or thirty times. There had been no sun. During the day she saw the River and the City; during the night, the stars. Nothing else.

Why at last she began to move she could not have said. She was not hungry or thirsty or cold or tired—well, perhaps a little cold and tired, but only a little, and certainly not hungry or thirsty. But if Richard, in this new sense, were not coming, it presently seemed to her useless to wait. But besides Richard, the only thing in which she had been interested had been the apparatus of mortal life; not people—she had not cared for people particularly, except perhaps Evelyn; she was sincerely used to Evelyn, whom she had known at school and since; but apart from Evelyn, not people—only the things they used and lived in, houses, dresses, furniture, gadgets of all kinds. That was what she had liked, and (if she wanted it now) that was what she had got. She did not, of course, know this, and she could not know that it was the sincerity of her interest that procured her this relaxation in the void. If Richard had died, this would have remained vivid to her. Since she was dead, it remained also, though not (stripped of all forms of men and women) particularly vivid.

She began to walk. It did not much matter which way. Her first conscious movement—and even that was hardly a movement of volition—was to look over her shoulder in the seeming daylight to see if the plane were there. It was, though dimmer and smaller, as if it were fading. Would the whole City gradually fade and leave her to emptiness? Or would she too fade? She did not really attempt to grapple with the problem of her seeming body; death did not offer her problems of that sort. Her body in life had never been a problem; she had accepted it, inconveniences and all, as a thing that simply was. Her pride—and she had a good deal of pride, especially sexual—had kept her from commitments except with Richard. It was her willingness to commit herself with Richard that made her believe she (as she called it) loved Richard, though in her bad moments she definitely wished Richard, in that sense, to love her more than she loved him. But her bad moments were not many. She really did want, need and (so far) love Richard. Her lack and longing and despair and self-blame were sincere enough, and they did not surprise her. It had been plain honest passion, and plain honest passion it remained. But now the passion more and more took the form of one thought; she had done it again, she had done it once too often, and this was the unalterable result.

She began to walk. She went up northward. That was instinct; she at least knew that part of London. Up from the bridge, up Whitehall—no one. Into Trafalgar Square—no one. In the shops, in the offices—no one. They were all full and furnished with everything but man. At moments, as she walked, a horrible fancy took her that those at which she was not, at the moment, looking were completely empty; that everything was but a façade, with nothing at all behind it; that if she had walked straight through one of those shops, she would come out into entire nothing. It was a creeping sensation of the void; she herself could not have put it into words. But there the suspicion was.

She came to the bottom of Charing Cross Road and began to go up it. In front of her she saw the curtains of brick that hid the entrances to Leicester Square Tube Station. By one of them, on the opposite side of the road, someone was standing. She was still not conscious of any shock of surprise or of fear or even of relief. Her emotions were not in action. There had been no one; there was now someone. It was not Richard; it was another young woman. She crossed the road towards the unknown; it seemed the thing to do. Unknown? not unknown. It was—and now she did feel a faint surprise—it was Evelyn. In the sudden recollection of having arranged to meet Evelyn there, she almost forgot that she was dead. But then she remembered that their actual meeting had been accidental. They had both happened to be on their way to their appointed place. As she remembered, she felt a sudden renewal of the pain and of the oblivion. It did not remain. There was nothing to do but go on. She went on.

The figure of Evelyn moved and came towards her. The sound of her heels was at first hideously loud on the pavement as she came, but after a step or two it dwindled to almost nothing. Lester hardly noticed the noise at the time or its diminution; her sense was in her eyes. She absorbed the approaching form as it neared her with a growing intensity which caused her almost to forget Richard. The second best was now the only best. As they drew together, she could not find anything to say beyond what she had said a hundred times—dull and careless, “O hallo, Evelyn!” The sound of the words scared her, but much more the immediate intolerable anxiety about the reply: would it come? It did come. The shape of her friend said in a shaking voice, “O hallo, Lester!”

They stopped and looked at each other. Lester could not find it possible to speak of their present state. Evelyn stood before her, a little shorter than she, with her rather pinched face and quick glancing black eyes. Her black hair was covered by a small green hat. She wore a green coat; and her hands were fidgeting with each other. Lester saw at once that she also was without a handbag. This lack of what, for both of them, was almost, if not quite, part of their very dress, something without which they were never seen in public; this loss of handkerchief, compact, keys, money, letters, left them peculiarly desolate. They had nothing but themselves and what they wore—no property, no convenience. Lester felt nervous of the loss of her dress itself; she clutched it defensively. Without her handbag she was doubly forlorn in this empty City. But Evelyn was there and Evelyn was something. They could, each of them, whatever was to happen, meet it with something human close by. Poor deserted vagrants as they were, they could at least be companions in their wanderings.

She said, “So you're here!” and felt a little cheered. Perhaps soon she would be able to utter the word
death
. Lester had no lack of courage. She had always been willing, as it is called, “to face facts”; indeed, her chief danger had been that, in a life with no particular crisis and no particular meaning, she would invent for herself facts to face. She had the common, vague idea of her age that if your sexual life was all right you were all right, and she had the common vague idea of all ages that if you (and your sexual life) were not all right, it was probably someone else's fault—perhaps undeliberate, but still their fault. Her irritation with her husband had been much more the result of power seeking material than mere fretfulness. Her courage and her power, when she saw Evelyn, stirred; she half prepared a part for them to play—frankness, exploration, daring. Oh if it could but have been with Richard!

Evelyn was speaking. Her quick and yet inaccurate voice rippled in words and slurred them. She said, “You
have
been a long time. I quite thought you wouldn't be coming. I've been waiting—you can't think how long. Let's go into the Park and sit down.”

Lester was about to answer when she was appalled by the mere flat ordinariness of the words. She had been gripping to herself so long her final loss of Richard that she had gripped also the new state in which they were. This talk of sitting down in the Park came over her like a nightmare, with a nightmare's horror of unreality become actual. She saw before her the entrance to the station and she remembered they had meant to go somewhere by Tube. She began, with an equal idiocy, to say, “But weren't we——” when Evelyn gripped her arm. Lester disliked being held; she disliked Evelyn holding her; now she disliked it more than ever. Her flesh shrank. Her eyes were on the station entrance and the repulsion of her flesh spread. There was the entrance; they had meant to go—yes, but there could not now be any Tube below; or it would be as empty as the street. A medieval would have feared other things in such a moment—the way perhaps to the
città dolente
, or the people of it, smooth or hairy, tusked or clawed, malicious or lustful, creeping and clambering up from the lower depths. She did not think of that, but she did think of the spaces and what might fill them; what but the dead? Perhaps—in a flash she saw them—perhaps there the people, the dead people, of this empty City were; perhaps that was where the whole population had been lying, waiting for her too, the entrance waiting and all below the entrance. There were things her courage could not face. Evelyn's clutch on her arm was light, light out of all proportion to the fear in Evelyn's eyes, but in her own fear she yielded to it. She allowed herself to be led away.

BOOK: All Hallows' Eve
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