Family (Insanity Book 7) (5 page)

“We’ve been ambushed, dear Alice,” Tom says. “And I bet it’s the Pillar. He’s decided to sell us out.”

“Why would he do that if he is after the Six Keys?”

“Maybe he found them already. Who cares?” Tom continues listening to the host. So do I.

“The terrorists are an organization two centuries old,” She says. “They call themselves Mushroomers, and they hide in asylums all over the world, pretending they’re mad. Interpol’s representative says it’s been a brilliant plan. He has also confirmed their responsibility for at least six terrorist attacks, including the murdered girls with grins sewn to their faces, the so called Muffin Man almost poisoning us, the Hatter who’d implanted a bomb in a rabbit, the hookahs sold which were about to kill everyone, and the Chessmaster’s mass murders last week. Those, among many other small incidents here and there.”

“This is so messed up,” I say.

“Conspiracy theory 101,” Tom says. “Connect the dots to a few incidents, attach them to a few introverts, and whoa, you’ve got yourself a story to persuade the world.”

We keep on listening. The last part raises the stakes and tells me we’re in grave danger. The host says, “It’s not really known who are the Mushroomers’ leaders. But Dr. Tom Truckle is definitely a conspirator, helping them with a hiding place. An insane man who’d recently escaped a highly secure asylum called The Hole, and is known by the name of Professor Jittery, and codename March Hare, is their mastermind, having designed numerous landscapes where they hide their weapons of destruction.”

The March Hare’s ears tense. His eyes roll sideways and his shoulder tighten. “I did that?” He wonders, almost believing it. “I mean, there is a lot I’ve forgotten about my past, but what are weapons of mass destruction?”

“Shut up!” Tom can’t take it anymore.

I continue listening, already knowing the next name on the list: “Thirdly, comes a disturbed girl by the name of Alice Pleasant Wonder — not pleasant at all, if you ask me.” The host chuckles and flips her expensive hair extensions back onto her shoulders. “Alice Wonder is the most wanted on the list at the moment, repeatedly seen near destructive events, and so-called Wonderland Monsters. Britain’s CCTVs prove that,” — a montage of footage showing me near every catastrophe I’ve helped stop is broadcasted, but interpreted as if I were the terrorist. “This girl killed her entire group of classmates in a bus accident a few years back, an incident which seemed to cover a greater act of terrorism.”

The news channel switches to Edith and Lorina talking about me

“
I mean, we’re her sisters. We’ve always known she was troubled, but we did our best. Trust me, we treated her so nicely. Gave her our clothes and celebrated her birthdays and have been so kind to her,”
Edith says.

“
So, so kind!”
Lorina comments.

“
But we never knew she was a terrorist,”
Edith continues.

The pain hits harder when Jack shows up on the screen.
“She is a terrible girl. I can’t even explain how evil she is.
”

For a moment, I pretend I’m strong enough to handle this. I swallow hard and stand up straight, thinking my physical body would help my inner emotion to stand strong. But I am wrong. My knees give up on me and I drop to the floor.

Chapter 15

White Hearts Hospital, Oxford.

Fabiola couldn’t fathom what was going on. Glued to her TV screen, events were taking place too fast for her. Even Lewis Carroll’s spirit next to her seemed confused.

“Is this what you really came to warn me of?” She asked him.

“I had a feeling things would take a bad turn,” He said, pointing at the screen. “But I never imagined this.”

“What exactly is ‘this’?” The rabbit in his pocket asked, munching on a carrot.

“Someone framed them — I mean us — for being the terrorists threatening the world?” Fabiola said, listening to the host announcing every incident the Interpol — and the FBI — thought the Mushroomers were responsible for. “The bombing in France? The shooting in Orlando? This is utter nonsense.”

“This is Black Chess,” Lewis said. “They decided to turn the world against the Inklings by playing a calculated game.”

“So someone faked those facts to persuade the authorities?” Fabiola said.

“Exactly. And now we’re going to be public enemy number one. We’re going to be forced to clash with the public, whom we’re actually trying to protect from Black Chess.”

“That’s some devious plan, Lewis. Who do you think is behind it?”

Lewis refrained from answering, but the words were already on the tip of her tongue. “Him?”

Lewis nodded, though not entirely confident about it. “Who else would it be?”

“Why now?”

“Why not?”

“Because he could have played such a dirty game from the beginning. Why now, Lewis?”

“Maybe the Six Keys don’t mean anything to him anymore. He’s decided to destroy the Inklings because he doesn’t need us.”

“Things can’t be so easy,” Fabiola argued. “This war is much more complicated than this. Something is very wrong here.”

Lewis took a moment, rubbing his chin. “What if it has to do with Alice?”

“Meaning?”

“She’s about to know the truth about her family, which means her anger might be unstoppable. She will become an unmatched threat to Black Chess.”

“You mean they decided to get rid of her — and us — afraid they won’t be strong enough to match her outrage?”

“It’s the only reason I can think of.”

“If so, then why fabricate the story of the asylum being the center of terrorism?”

Lewis faced Fabiola ever so slowly, enough to give her time to get it. “I think Alice is inside. Someone’s managed to pull her in and fabricate this whole conspiracy thing to get the police to kill her. I’m starting to really believe it’s Him.”

Chapter 16

The Radcliffe Asylum

The drop to my knees awakens me instead of bringing me down. Sometimes life is like that. Sometimes all you need is to get your will and energy back is a knock on the head. And boy, am I fueled right now.

“We need to fix this fast.” I stand up, addressing Tom Truckle. “We need to escape the Asylum. Now!”

“I can do that,” Tom says. “Follow me.”

I stop in my place. “What about the Mushroomers?”

“What are you, nuts?” Tom spatters spit into the air.

“I wouldn’t have been admitted here if I weren’t,” I say. The Mushroomers grin next to me.

“They’re a burden, Alice,” Tom says. “I only know of a little trick to get you and I out of here. Don’t risk your life for them.”

“They’ve always risked their lives for me,” I say. “Besides, we’re one. We’re insane. We’re supposed to be Lewis’ army.”

“It’s not going to work.” Tom grits his teeth. “The police are all over the place. I was going to dress you up and get the guards to protect us while we ducked out from one of the back doors and escaped.”

“So there isn’t really a way out of here,” I comment. “We’re practically trapped. How come this asylum isn’t designed for such an emergency?”

“It is, but not the way you think it is.”

“What’s that supposed to mean?”

Tom sighed. It’s a long sigh, and his breath smells like a medicine cabinet. “It’s a protective system. I was going to use it once when Fabiola was here.”

“What kind of protective system?”

“I push a button and we’re locked inside with bulletproof walls until the enemy gives up.”

“That’s absurd.”

“It’s how Lewis designed it. We have a year of food and supplies and air inside, and we spend the time until our enemy backs off.”

“Are the walls that strong?”

“They weren’t in the past, but I’ve upgraded them through the years. They’re a fortress now. No one gets in or out if I press the button.”

I think it over. It’s a stupid solution. I can’t believe we’re going to die in here.

“You want me to push that button?”

“Of course not. It’d be our last resort. I hope things don’t get that hard.”

“I wouldn’t be as optimistic as you are.” He points at the TV screen and raises the volume.

A man in a police uniform speaks through a loud speaker. He addresses us as the Inklings, then as Mushroomers. He isn’t quite sure what or who we are, but is following orders. Non-negotiable orders. He says we should step out of the asylum and turn ourselves in for crimes against humanity.

“I feel like I’m Hitler,” Tom mumbled. “Crimes against humanity, really?”

The police man waits for a reply, but we’re too shocked and confused to even consider responding. After an agonizing minute of silence, the policeman gives the alternative, in plain English: “You have twelve hours to turn yourself in, or we’ll break into the asylum and shoot every living thing.”

“I don’t think that’s legal,” The March Hare comments.

“I don’t think he can say this with all the cameras broadcasting everywhere,” Tom adds.

I end the conversation with the only words that come to mind. “In an insane world like the one outside the asylum, the police can do whatever they want, as long as they have a warrant.”

Chapter 17

Buckingham Palace, London

“What are you doing, My Queen?” Margaret asks.

“Getting dressed up. We’re going to Oxford.”

“Why?”

“I don’t want to miss the show.”

“Show?” Margaret grimaces.

“That’s like the best reality TV show I’ve ever seen. Watching terrorists nuked by the police. I love it.”

“We can watch it here on TV.”

“And miss all the helter-skelter of a blood fest? I want to see it with my own eyes. Your messenger is a genius. I want to see the Inklings blown up by the police while the world cheers for them.”

“We’re not really sure what’s going on yet,” Margaret said.

“I don’t care.” The Queen stomped her feet. “I want to watch!”

“You sound like a child.”

“I’m a child. Can’t you see how short I am? This show in Oxford is going to be even better than the Circus back in Wonderland. I’m going to see Alice Wonder splattered in blood and shot by the police. If it happens, I will turn today into an annual holiday in Britain.”

“This is insane.”

“Please stop saying things are insane, as if everything isn’t. Get ready, Margaret, we’re going to watch the greatest execution on earth!”

Chapter 18

Buckingham Palace, London

The twelve-hour deadline makes things a bit easier. I feel like I have time to breathe and think. The Mushroomers are thinking too, but I doubt there will be anything good coming out of this. Tom doesn’t do anything but fill us with more pessimism. But it’s the March who has an interesting idea.

“I’m going to search for more writing on the walls with the Mushroomers,” He tells me.

“Now?”

“Yes, Alice. Now. If we’ll end up dead anyways, I’d like to know more about your story with Him, whoever that is. I’d like to know what really happened. Who wrote those things. I want to know about your family and who they are. Don’t you want to?”

“Of course I want to.” I lower my head, thinking about a family I can’t remember. “You’re right, at least I’d like to know part of the truth in case we can’t figure a way out. But I promise you, March, I’m going to get us out of here.”

“And I promise I will figure out all I can about the writing on the wall. So let’s start working.”

I watch him leave with the Mushroomers toward the other cells, then turn to face Tom. “Are you sure you’re not keeping anything from me?”

“I think I’ve told you everything I remember,” He says. “I’m like the March Hare and you, living a semi-amnesiac life.”

“The March and I don’t remember because of the shock therapy we received. I wonder why you don’t.”

Tom pulls out a new bottle of pills. “Each of us has his own poison, Alice.”

I am not going to comment on that. My head tilts toward the TV again. “Do you think the police will keep their twelve-hour promise?”

“They have to. It’s been broadcast on TV. Besides, they have nothing to lose. We have no way out.”

“So I guess the plan is to do our best for, let’s say, the next eleven hours and then you should be pushing the button.”

“That’s the plan.” Tom nods.

One of the asylum’s guards enters the room and informs us of the following. “There is something you need to see, Dr. Truckle.”

“What now?”

“We received a package earlier, before the matter with the police, but we hadn’t the chance to tell you about it since you were still talking to Ms. Wonder.”

“I don’t want to see any packages.” Tom says. “Can’t you see we’re in trouble here?”

“We think it might interest you,” the guard insisted.

“Why would it?” I interfere, curious about what kind of package gets delivered to asylum right before an ambush. I wonder if it’s some kind of message.

“It’s not really a package,” The guard says.

“Do you think this is the right time to tell jokes?” Tom tenses.

“I’m not joking, doctor,” the guards says. “I called it a package so as not to worry you.”

“What is it?” I say. “Just tell us.”

The guard shrugs, tries to talk, then shrugs again. Then again. Then he says. “It’s a coffin.”

Chapter 19

The coffin is set on the floor near the entrance door. It’s basically black, but is painted in all kinds of playing cards. Wonderland style.

The first thing that comes to mind is Jack. But why would Jack be dead in a coffin? He is with Lorina now and hates my guts. This coffins seems to be trickier than I can interpret.

“You’re thinking what I’m thinking?” Tom says to me.

“I hate that phrase. How can I ever be thinking what you’re thinking?”

“You’ve got a point,” Tom crosses his arms and places a finger on his lower lips. “If I’m thinking this, how can you possibly think this as well?”