Read Garlic and Sapphires Online

Authors: Ruth Reichl

Garlic and Sapphires (41 page)

BOOK: Garlic and Sapphires
13.1Mb size Format: txt, pdf, ePub
ads
We placed our orders and then the young couple placed theirs. The young woman gave Marion an apologetic look, turned to the waiter, and said, “Bring me what she's having, please.”
“Oh, why can't they mind their own business?” I cried.
“The way you're minding yours?” Marion retorted.
It occurred to me that age was not sitting well with her, and I suddenly found myself at a loss for words. There was an awkward moment of silence while I tried to think of something to say, and then the food arrived to provide conversational fodder. My appetizer, cumin-rubbed shrimp, was good for at least five minutes.
“That's quite a trick,” said Marion when she tasted it. “A kitchen miracle: they've made those shrimp mealy and tough at the same time, and that's not easy. If you were
trying
to achieve that effect, you probably couldn't. What I imagine they did was buy head-on shrimp, let them sit too long, and then overcook them. Shrimp have an enzyme at the back of the head that makes them mushy after death. That's why they're usually sold headless.” She took another minuscule taste and nodded. “Yes, if you followed that recipe, you might end up with something this sorry. On the other hand, they're no worse than my scallops—if that's what these little white discs really are.”
At the next table the young woman was taking a timid forkful of her appetizer. Her face lighted up. “I never had scallops before,” she confided to her date. “I thought they'd be fishy or something. But these are okay; they don't taste like nothing at all.”
“Did you hear that?” I asked Marion, mimicking the woman. “‘They don't taste like nothing.'” I kept my voice very low. “That might be because they're pollack or some other cheap whitefish cut to look like scallops. It's a classic food cheat. No wonder the chef created that strange goop of a dish: the nuts, the squash, and the chutney are all there to disguise the fish and fool the suckers.” I nodded right. “Like them.”
“This makes me so angry!” said Marion.
“I know,” I replied. “It's outrageous the way they cheat their customers!”
“Not that.” Marion's blue eyes were appraising me, and I was chilled by their icy coldness. “You,” she said. “You're what's making me angry. These disguises have gone too far. I hate the person you've become.”
It was as if she had thrown her glass of water at my face. I could feel the makeup that covered it—the greasy foundation, the thick coat of powder, the lipstick with the chalky taste of cold cream. The wig felt so tight I could barely breathe, and I sensed the hair coiled beneath it, yearning to be released. The glasses balanced on my nose felt suddenly heavy and I snatched them off. And then I started to laugh, and the laugh went on and on until I was afraid I was going to choke.
“Oh, hon,” said Marion, when I had finally wound down, “I almost forgot that you were you. How can you stand it?”
I looked down at the terrible tweed suit, and suddenly I couldn't. I had wanted to know what it felt like to be Emily, and now I knew: not good. I didn't want to be her, didn't want her clothes or her values or anything else to do with her life. It was extremely unpleasant to find how easily I had been able to summon this mean, petty person who was waiting inside me. Because if Brenda was my best self, Emily was my worst.
 
 
 
 
 
M
arion was watching my struggle. “I keep remembering the first time I met you,” she said. “It was in San Francisco, at that party for James Beard. Your hair was wild and curly and your clothes were so colorful that you stood out in the crowd. The next time we met you were wearing two different socks—and you told me it was on purpose! We went back to that commune you were living in and you started cooking dinner. I think it was for a dozen people, but more kept showing up and every time the door opened you just smiled and threw a little more water into the soup. I kept looking for that person, but all I could see was—” She went silent and pointed across the table.
“Enough,” I said, “let's forget about Emily, okay? She's going to go away now, and we're going to try to enjoy ourselves as much as possible in this ridiculous restaurant.”
After that, everything was fine. Marion told me about the cooking classes she'd been giving. “I put up signs all over the neighborhood saying that I was looking for people who had never cooked before, that I'd teach them for free. It's fascinating. Do you have any idea what a recipe looks like to someone reading it for the first time?”
“None,” I said.
“It's a foreign language! I told one of my students to toss the salad and he put the bowl on the counter, walked to the other side of the kitchen, and started throwing the lettuce into it.”
“You're kidding.”
“No,” she said, “it happened. And if you think about it, why wouldn't that make sense? My students want to know why the recipe says to cream the butter when there's no cream in it, why bone and debone mean the same thing. If you don't know the language, it's just jibberish.”
For my part I talked about Carol, and for the first time I allowed myself to voice what I had been thinking deep inside: that she was not going to get better. And then, somehow, I found myself telling Marion what Nicky had said after our meal at the Rainbow Room.
“Do you want to know what I think?” she asked. She didn't wait for an answer. “I think it's time for you to do something else.”
My heart lurched. “What would I do?” I asked.
She studied me for a moment and said, “I don't know. But I have an idea. I know this astrologer . . .”
“I don't believe in that stuff!” I said. “You know that.”
“I don't either,” she replied. “But it doesn't matter. This man is very wise, and he always helps me in a crisis. I'm going to buy a session for you. When you think you're ready, give Alex a call. Believe me, it will be worth your time.” She wrote a phone number on a piece of paper and handed it to me. And then, as if she had not just tossed a bomb onto the table, she took a bite of beef tenderloin and changed the subject. “This restaurant,” she said, “should be ashamed to be serving this meat.”
As the evening progressed the bald and the blonde, who were far more interested in liquor than in food, grew more raucous. Meanwhile, the young couple on our right were growing quieter and quieter, as if they understood that they were being cheated but were not quite sure how. Marion looked at their woebegone faces and I could see her struggling with herself. Finally she could no longer contain it. Leaning toward them, she said, “Forgive me if I'm speaking out of turn. But I don't imagine that you come to restaurants like this very often.” As she spoke I was reminded of the woman at Daniel, Muriel, who had said something so similar. And then, of course, I thought of Brenda.
“No ma'am,” said the young man, pulling his shoulders back as if standing to attention. “I have been saving up for this evening. It's the first time we've been to such a fancy restaurant.”
“You don't look as if you're enjoying it,” she pressed on.
“We are!” said the young woman. “We're enjoying it very much. Aren't we, Richie?” Her eyes entreated her date to support her position.
But he gave her an apologetic shrug and turned to Marion. “No,” he admitted, “we are not enjoying this.”
“Neither are we,” said Marion. “This is a very poor restaurant.”
“But the books!” he said, looking very young, very earnest. “I read all the books and they said that this was the best place. The most romantic.”
“Unfortunately,” said Marion gently, “the books are not always right.”
And then Emily vanished forever, even though I was still wearing her black hair, and Brenda was speaking. “Let me pick up your check,” she was saying. “Take the money you were going to spend here and go to another restaurant. A good one.”
He was shaking his head. “Oh no,” he said, “I couldn't let you do that.”
“Yes you could,” said Marion, and her smile was bright and encouraging. “Of course you could.”
“I'll even tell you where to go,” I said. “I could make the reservation for you.”
“Where?” asked Marion, beaming at me.
“The Rainbow Room,” I said.
“I couldn't let you do that,” he repeated.
“Yes you can,” I said. “It's sort of part of my job.”
“What are you talking about?” he said, in a voice that conveyed all the things he was too polite to utter. He glanced under the table as if he expected to find a camera hiding down there. “What do you do?”
“What I'm
supposed
to do is make sure that people don't waste their money in places like this,” I said.
“I don't get it.”
“I'm a restaurant critic.”
He was wavering. I could feel it. “How do I know that's true?” he asked.
In response I did something I had never done before. Right there in the middle of the dining room, I pulled Emily's wig off my head.
The young woman gasped. And at the next table the blonde waved her empty martini glass and said, “I think I've had too many drinks.”
RESTAURANTS WHERE THE ROMANTIC DECOR IS THE DRAW
by Ruth Reichl
THE LAST TIME The Times looked at the Box Tree it was a pretentious place serving fancy, not very good Continental food for $78 a person, prix fixe. That was six years ago. Since then there has been a lengthy strike, which ended last month in a victory for the workers. You might think that would have improved the restaurant.
No such luck. Today the Box Tree is a pretentious place serving fancy, not very good Continental food for $86 a person, prix fixe. But one thing has changed. The service used to be genial and attentive. Now it is as pretentious as the setting—when it is anything at all.
Consider, for example, a midweek lunch. When I walk into the precious little entry, which looks as if it is trying out for a part in a Ralph Lauren ad, the hostess barely looks up. “Do you have a reservation?” she asks frostily. I do. “Your guest has not arrived,” she says, pointing to a seat by the fireplace. “Wait there.” She then graciously allows me to listen as she makes phone calls. Meanwhile, a waiter complains about what the cleaners have done to his jacket, and a manager loudly berates a busboy in the grill next door. I can't remember a less welcoming introduction.
My guest finally arrives. As we are led into the ornate dining room with its dark wood, stained glass and fancy fireplaces, I can't help wondering why I was forced to wait in the vestibule. But for the roses waiting patiently on each plate, the room is utterly empty. A few nights later I wonder, similarly, why the captain refuses to move us away from a large, loud party. “We have no other tables,” he insists, but anyone with eyes can see that he is wrong.
He presses quickly on. “Do we have a host or hostess?” he asks, emphasizing the final syllable. This may be one of the last restaurants in America to give guests unpriced menus. Pity, for the person paying the bill would surely want his guests to know that the meal is as expensive as it is inept.
It is also very large. This is not necessarily a good thing. By the time you have slogged through an appetizer, soup, entrée and salad, you may dread the arrival of dessert. But should you somehow find yourself at the Box Tree (it is, after all, considered one of New York's most romantic restaurants), you will be happy to hear that it is not impossible to find a few acceptable dishes to go with the dreamy décor.
Appetizers are easiest. My favorite is the smooth terrine of duck liver served in a little crock with toast on the side. Snails are quite good, too, served in a ceramic dish and topped with Pernod sauce and grated cheese. Cold poached trout is moist and mannerly. But avoid the bizarre scallops with butternut squash and the horribly overcooked cumin-rubbed shrimp.
Soups are a problem. The lobster bisque is dreadful. The bisque of morels is even worse; once you get past the taste of sherry, it is absolutely impossible to tell what you are eating. The “consommé of whole cow” is fun for its title, but not much more. But the carrot and ginger velouté is perfectly fine, and the cool yogurt and cucumber soup is refreshing.
Main courses are the most difficult. Avoid, at all costs, anything made with lobster. The waiter described the lobster fricassee, served at lunch, as a two-pound lobster removed from the shell and served in a beurre blanc. If the shell decorating the dish was related to the lobster that once inhabited it, it was no two pounder. And that “beurre blanc” was gritty with uncooked starch and seasoned primarily with dill. Lobster Mornay at dinner was tough. Tenderloin of beef with Armagnac sauce featured the most unpleasant piece of beef I have ever been served in a restaurant; it had neither taste nor texture. Veal medallions with wild mushrooms were only a marginal improvement. If you are in the mood for meat, choose the rack of lamb. Salmon is also unobjectionable: two fat fillets on a bed of lentils.
Each main course is served with an identical melange of vegetables and followed by a welcome salad of endive, watercress and Stilton.
You are almost at the end, and if you avoid the soggy apple tart and the runny crème brûlée, dessert holds no terrors. The vacherin, chocolate cake and raspberry brûlée are all perfectly pleasant.
Best of all, it is almost time to leave. Unlike other restaurants that charge these sorts of prices, the Box Tree does not shower you with little gifts to make you linger at the table. No petits fours, no chocolates. And although it can be nearly impossible to find someone willing to pour your wine, getting the check is never difficult. Just snap your fingers, and it is there in a flash.
 
 
 
THE BOX TREE
POOR
BOOK: Garlic and Sapphires
13.1Mb size Format: txt, pdf, ePub
ads

Other books

Strange Trades by Paul Di Filippo
When Watched by Leopoldine Core
The Aetherfae by Christopher Shields
Tender Taming by Heather Graham
The Complete Navarone by Alistair MacLean
Bridge for Passing by Pearl S. Buck
Against a Brightening Sky by Jaime Lee Moyer
Rough, Raw and Ready by James, Lorelei
Tuvalu by Andrew O'Connor