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Authors: William Faulkner

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BOOK: Light in August
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It was upon them, of them: its shameless savageness. Out of it their faces seemed to glare with bodiless suspension as though from haloes as they stooped and raised Hightower, his face bleeding, from the floor where Christmas, running up the hall, his raised and armed and manacled hands full of glare and glitter like lightning bolts, so that he resembled a vengeful and furious god pronouncing a doom, had struck him down. They held the old man on his feet.

“Which room?” Grimm said, shaking him. “Which room, old man?”

“Gentlemen!” Hightower said. Then he said: “Men! Men!”

“Which room, old man?” Grimm shouted.

They held Hightower on his feet; in the gloomy hall, after the sunlight, he too with his bald head and his big pale
face streaked with blood, was terrible. “Men!” he cried. “Listen to me. He was here that night. He was with me the night of the murder. I swear to God——”

“Jesus Christ!” Grimm cried, his young voice clear and outraged like that of a young priest. “Has every preacher and old maid in Jefferson taken their pants down to the yellowbellied son of a bitch?” He flung the old man aside and ran on.

It was as though he had been merely waiting for the Player to move him again, because with that unfailing certitude he ran straight to the kitchen and into the doorway, already firing, almost before he could have seen the table overturned and standing on its edge across the corner of the room, and the bright and glittering hands of the man who crouched behind it, resting upon the upper edge. Grimm emptied the automatic’s magazine into the table; later someone covered all five shots with a folded handkerchief.

But the Player was not done yet. When the others reached the kitchen they saw the table flung aside now and Grimm stooping over the body. When they approached to see what he was about, they saw that the man was not dead yet, and when they saw what Grimm was doing one of the men gave a choked cry and stumbled back into the wall and began to vomit. Then Grimm too sprang back, flinging behind him the bloody butcher knife. “Now you’ll let white women alone, even in hell,” he said. But the man on the floor had not moved. He just lay there, with his eyes open and empty of everything save consciousness, and with something, a shadow, about his mouth. For a long moment he looked up at them with peaceful and unfathomable and unbearable
eyes. Then his face, body, all, seemed to collapse, to fall in upon itself, and from out the slashed garments about his hips and loins the pent black blood seemed to rush like a released breath. It seemed to rush out of his pale body like the rush of sparks from a rising rocket; upon that black blast the man seemed to rise soaring into their memories forever and ever. They are not to lose it, in whatever peaceful valleys, beside whatever placid and reassuring streams of old age, in the mirroring faces of whatever children they will contemplate old disasters and newer hopes. It will be there, musing, quiet, steadfast, not fading and not particularly threatful, but of itself alone serene, of itself alone triumphant. Again from the town, deadened a little by the walls, the scream of the siren mounted toward its unbelievable crescendo, passing out of the realm of hearing.

20

N
ow the final copper light of afternoon fades; now the street beyond the low maples and the low signboard is prepared and empty, framed by the study window like a stage.

He can remember how when he was young, after he first came to Jefferson from the seminary, how that fading copper light would seem almost audible, like a dying yellow fall of trumpets dying into an interval of silence and waiting, out of which they would presently come. Already, even before the falling horns had ceased, it would seem to him that he could hear the beginning thunder not yet louder than a whisper, a rumor, in the air.

But he had never told anyone that. Not even her. Not even her in the days when they were still the night’s lovers, and shame and division had not come and she knew and had
not forgot with division and regret and then despair, why he would sit here at this window and wait for nightfall, for the instant of night. Not even to her, to woman.
The
woman. Woman (not the seminary, as he had once believed): the Passive and Anonymous whom God had created to be not alone the recipient and receptacle of the seed of his body but of his spirit too, which is truth or as near truth as he dare approach.

He was an only child. When he was born his father was fifty years old, and his mother had been an invalid for almost twenty years. He grew up to believe that this was the result of the food which she had had to subsist on during the last year of the Civil War. Perhaps this was the reason. His father had owned no slaves, though he was the son of a man who did own slaves at the time. He could have owned them. But though born and bred and dwelling in an age and land where to own slaves was less expensive than to not own them, he would neither eat food grown and cooked by, nor sleep in a bed prepared by, a negro slave. Hence during the war and while he was absent from home, his wife had no garden save what she could make herself or with the infrequent aid of neighbors. And this aid the husband would not allow her to accept for the reason that it could not be repaid in kind. “God will provide,” he said.

“Provide what? Dandelions and ditch weeds?”

“Then He will give us the bowels to digest them.”

He was a minister. For a year he had been leaving home early each Sunday morning before his father (this was before the son’s marriage) who though a member in good standing of the Episcopal church had not entered any church since the
son could remember, discovered where he went. He found that the son, then just turned twentyone, was riding sixteen miles each Sunday to preach in a small Presbyterian chapel back in the hills. The father laughed. The son listened to the laughter as he would if it had been shouts or curses: with a cold and respectful detachment, saying nothing. The next Sunday he went back to his congregation.

When the war began, the son was not among the first to go. Neither was he among the last. And he stayed with the troops for four years, though he fired no musket and wore instead of uniform the somber frock coat which he had purchased to be married in and which he had used to preach in. When he returned home in
‘65
he still wore it, though he never put it on again after that day when the wagon stopped at the front steps and two men lifted him down and carried him into the house and laid him on the bed. His wife removed the coat and put it away in a trunk in the attic. It stayed there for twentyfive years, until one day his son opened the trunk and took it out and spread out the careful folds in which it had been arranged by hands that were now dead.

He remembers it now, sitting in the dark window in the quiet study, waiting for twilight to cease, for night and the galloping hooves. The copper light has completely gone now; the world hangs in a green suspension in color and texture like light through colored glass. Soon it will be time to begin to say   
Soon now. Now soon
‘I was eight then,’ he thinks. ‘It was raining.’ It seems to him that he can still smell the rain, the moist grieving of the October earth, and the musty yawn as the lid of the trunk went back. Then the
garment, the neat folds. He did not know what it was, because at first he was almost overpowered by the evocation of his dead mother’s hands which lingered among the folds. Then it opened, tumbling slowly. To him, the child, it seemed unbelievably huge, as though made for a giant; as though merely from having been worn by one of them, the cloth itself had assumed the properties of those phantoms who loomed heroic and tremendous against a background of thunder and smoke and torn flags which now filled his waking and sleeping life.

The garment was almost unrecognisable with patches. Patches of leather, mansewn and crude, patches of Confederate grey weathered leafbrown now, and one that stopped his very heart: it was blue, dark blue; the blue of the United States. Looking at this patch, at the mute and anonymous cloth, the boy, the child born into the autumn of his mother’s and father’s lives, whose organs already required the unflagging care of a Swiss watch, would experience a kind of hushed and triumphant terror which left him a little sick.

That evening at supper he would be unable to eat. Looking up, the father, now a man nearing sixty, would find the child staring at him with terror and awe and with something else. Then the man would say, “What have you been into now?” and the child could not answer, could not speak, staring at his father with on his child’s face an expression as of the Pit itself. That night in bed he would not be able to sleep. He would lie rigid, not even trembling, in his dark bed while the man who was his father and his only remaining relative, and between whom and himself there was so much of distance in time that not even the decades of years could
measure, that there was not even any physical resemblance, slept walls and floors away. And the next day the child would suffer one of his intestinal fits. But he would not tell what it was, not even to the negro woman who ran the household and who was his mother too and nurse. Gradually his strength would return. And then one day he would steal again to the attic and open the trunk and take out the coat and touch the blue patch with that horrified triumph and sick joy and wonder if his father had killed the man from whose blue coat the patch came, wondering with still more horror yet at the depth and strength of his desire and dread to know. Yet on the very next day, when he knew that his father had gone to call upon one of his country patients and would not possibly return before dark, he would go to the kitchen and say to the negro woman: “Tell again about grandpa. How many Yankees did he kill?” And when he listened now it was without terror. It was not even triumph: it was pride.

This grandfather was the single thorn in his son’s side. The son would no more have said that than he would have thought it, anymore than it would ever have occurred to either of them to wish mutually that he had been given a different son or a different father. Their relations were peaceable enough, being on the son’s part a cold, humorless, automatically respectful reserve, and on the father’s a bluff, direct, coarsely vivid humor which lacked less of purport than wit. They lived amicably enough in the two-storey house in town, though for some time now the son had refused, quiet and firm, to eat any food prepared by the slave woman who had raised him from babyhood. He cooked his own food in the kitchen, to the negress’ outraged indignation, and put it
on the table himself and ate it face to face with his father, who saluted him punctiliously and unfailingly with a glass of bourbon whiskey: this too the son did not touch and had never tasted.

On the son’s wedding day the father surrendered the house. He was waiting on the porch, with the key to the house in his hand, when the bride and groom arrived. He wore his hat and cloak. About him was piled his personal luggage and behind him stood the two slaves which he owned: the negro woman who cooked, and his ‘boy’, a man older than himself and who did not have one remaining hair, who was the cook’s husband. He was not a planter: he was a lawyer, who had learned law somewhat as his son was to learn medicine, “by main strength and the devil’s grace and luck” as he put it. He had already bought for himself a small house two miles in the country, and his surrey and his matched team stood before the porch waiting while he too stood, his hat tilted back and his legs apart—a hale, bluff, rednosed man with the moustache of a brigand chief—while the son, and the daughter-in-law whom he had never seen before, came up the path from the gate. When he stooped and saluted her, she smelled whiskey and cigars. “I reckon you’ll do,” he said. His eyes were bluff and bold, but kind. “All the sanctimonious cuss wants anyway is somebody that can sing alto out of a Presbyterian hymnbook, where even the good Lord Himself couldn’t squeeze in any music.”

He drove away in the tasselled surrey, with his personal belongings about him—his clothes, his demijohn, his slaves. The slave cook did not even remain to prepare the first meal. She was not offered, and so not refused. The father never
entered the house again alive. He would have been welcome. He and the son both knew this, without it ever being said. And the wife—she was one of many children of a genteel couple who had never got ahead and who seemed to find in the church some substitute for that which lacked upon the dinnertable—liked him, admired him in a hushed, alarmed, secret way: his swagger, his bluff and simple adherence to a simple code. They would hear of his doings though, of how in the next summer after he removed to the country he invaded a protracted al fresco church revival being held in a nearby grove and turned it into a week of amateur horse racing while to a dwindling congregation gaunt, fanaticfaced country preachers thundered anathema from the rustic pulpit at his oblivious and unregenerate head. His reason for not visiting his son and his daughter-in-law was apparently frank: “You’d find me dull and I’d find you dull. And who knows? the cuss might corrupt me. Might corrupt me in my old age into heaven.” But that was not the reason. The son knew that it was not, who would have been first to fight the aspersion were it to come from another: that there was delicacy of behavior and thought in the old man.

BOOK: Light in August
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