Property of a Lady (2 page)

Charect House was larger than he had expected. It was a red-brick, four-square building with the tall flat windows of the Regency and crumbling stone pillars on each side of the front door. The brick had long since mellowed into a dark, soft red, and some kind of creeper covered the lower portions. Even with the rain it was possible to see the dereliction. The upper windows had shutters, half falling away, and all the window frames looked rotten. The roofline dipped ominously.

But the locks still worked, and the door swung open easily enough. The scent of age met Michael at once, and it was so strong that for a moment he felt his senses blur. But this was not the musty dankness of damp or rot; this was age at its best and most evocative: a potpourri of old seasoned timbers and long-ago fires, and a lingering scent of dried lavender. A gentler age, when ladies embroidered and wrote letters on hot-pressed notepaper and painted dainty watercolours, to the gentle ticking of a clock . . .

The ticking of a clock. He could hear it quite clearly, which was unexpected because he had thought the house entirely empty of furniture – in fact the auction that included the long-case clock was not until next week. Perhaps there was an old wall clock or a kitchen clock somewhere.

He walked through the rooms, listing them carefully and making notes about them. Three reception rooms on the ground floor – one of which was a beautiful long room with windows overlooking the tanglewood gardens and a deep window seat. There was a dingy fireplace with bookshelves on each side.

At the back was a big stone-floored kitchen. When Michael tried the water in the outer scullery something clanked and shuddered in the depths of the house, then a thin reddish stream came from the tap. He turned the tap off and went back to the front of the house. The clock was still ticking away to itself somewhere. It was rather a friendly sound; people did not have ticking clocks very often these days.

The main hall had the wide, elegant stairway of its era. The stairs went straight up to a big landing, then swung back on themselves in a hairpin bend, a smaller, narrower flight obviously winding up to the second floor. Attic stairs.

It was barely half-past four, but the light was already fading, and Michael thought he would come back tomorrow and see the rest of the place in daylight. He had reached the front door when unmistakably and disconcertingly three loud knocks sounded somewhere inside the house – peremptory, fist-on-wood rapping, startlingly loud. Michael’s heart jumped, and he turned back to the hall, but nothing moved anywhere and the only sound was the ticking clock still faintly tapping out the minutes somewhere. Probably, it had been his imagination, or a bird in the eaves or even old timbers creaking somewhere. Or someone outside? He opened the front door and looked out, but there was only the dismal drip of rain from the leaves, so he came back in and rather apprehensively looked into all the downstairs rooms. Nothing. But as he went into the long drawing-room there was movement in the shadowy garden beyond the windows, then something pallid pressed itself against the glass. Someone’s out there, thought Michael, trying not to panic, but feeling his pulse racing. Someone’s standing in the garden, knocking at the window to come in.

And then he saw that after all it was only the remains of an untidy shrub that had dipped its boughs against the window pane. As he watched, it moved again, claw-like branches brushing the glass with a faint, goblin-claw scratch. That was certainly not the sound he had heard.

He was in the hall when the rapping came again, and this time it was unmistakably overhead. It was coming from the bedrooms.

It was probably perfectly innocent – a window open and banging against the wall, or a trapped animal. No, an animal would bark or yowl. Wilberforce had once been accidentally shut in a cupboard on one of Oriel’s landings, and the entire college had heard his indignant demands to be rescued. And this sound was sharp and echoing and somehow filled with desperation. Michael remembered, and wished he had not, the Rachmaninov suite that began with three sonorous piano chords intended to represent a man buried alive knocking on the underside of his coffin lid to get out. He was so annoyed with himself for remembering this that he started up the stairs before he could change his mind. The stairs creaked ominously, and he expected the knocking to ring out again at any moment. It did not, but Michael had the strong impression that someone was listening.

As he reached the main landing, the knocking suddenly came again, louder and more frenzied. Did it spell out a plea? Was it saying:
let-me-out . . .
Or was it:
let-me-in
 . . . ? On the crest of this thought something moved on the edge of his vision, and Michael looked across to the attic stair.

Fear rose up, clutching at his throat, because there was someone there. Within the clotted shadows was a thickset figure crouched against the banisters.

For several seconds Michael stood motionless, staring at the figure, a dozen possible actions chasing across his mind. There was a confused impression of a pallid face, with the eyes so deep in the shadows that they appeared to be black pits, and of thick fingers curled round the banister rails.

Michael heard himself say, challengingly, ‘Who are you? What are you doing here?’ and at once the man moved, flinching back into the shadows. There was a scrabbling movement, and the man turned and ran up the narrow stairs to the top floor.

Michael thought he was as brave as most people, but he was damned if he was going to confront an intruder in a deserted attic with nobody in calling distance. He ran back down the stairs, slammed the door and locked it, then dived into his car and reached for his phone to call the police.

By the time a portly constable arrived, the intruder appeared to have got away.

‘Very sorry indeed, sir, but it seems he’s escaped us.’

‘It’s impossible,’ said Michael as they stood outside the house, staring up at the windows. ‘He was on the stairs, and he went up to the top of the house – I saw him go up there. There can’t be any way for him to have got out. In any case, I locked the front door when I came out – to keep him in there. And I waited in my car until you got here.’

‘You saw for yourself, Dr Flint,’ said the policeman. ‘We went in every room and every last cupboard.’

‘Yes, we did,’ said Michael, puzzled.

‘And the two other outer doors were locked. The scullery door, and the garden door at the side, as well.’

‘There were no keys in any of the locks,’ said Michael, frowning. ‘Which means that if he got out that way, he could only have done it by unlocking a door and locking it again behind him.’ He looked at the policeman. ‘And that’s absurd. Unless—’

‘Unless what?’

‘Unless he’s got keys to the house,’ said Michael slowly and unwillingly.

‘Surely not. Likely, he managed to climb out through a window at the back while you were phoning. It’ll have been some tramp looking for a night’s dosshouse.’

‘He didn’t look like a tramp,’ said Michael, remembering the round, pallid face and the black-pit eyes. ‘I think I’d better have the locks changed while I’m here. Is there a locksmith who’d do an emergency job at the weekend?’

‘No one in Marston Lacy, sir, but I can give you a couple of numbers a bit further afield.’

Michael wrote down the numbers and drove back to the Black Boar, puzzled and vaguely disturbed.

It was not until he was showering before dinner that he realized there had been something else that was even more disturbing. All the time he was in the house he had heard the ticking of a clock – at times quite loudly, at other times fainter, as if the ticking was coming from behind a closed door.

But he and the policeman had searched Charect House from cellar to attic, and every room had been empty. There had been no clock anywhere.

TWO

C
harect House, seen in Sunday morning sunshine with the faint sound of church bells somewhere across the fields, had emerged from its semi-haunted state, and it presented a bland, innocuous face to the world. It was elegantly derelict and appealingly battered, and Michael suddenly liked it very much.

He had borrowed a colleague’s camera, which the colleague had said was the easiest thing in the world to operate, but which Michael found confusing. It was fortunate that the locksmith, summoned from a nearby town, turned up and helped out. Michael was grateful, and while the man was cheerfully fitting new locks, he managed to get what he thought were several reasonable shots of the house’s outside, which should give Jack and Liz a fair idea of the place. Encouraged, he ventured inside, pressed a series of buttons for the flash, one of which seemed to work, and captured the long drawing-room and also the wide hall and staircase. He stood in the hall for a moment, looking up at the stairs, remembering the face that had seemed to stare out through the banisters of the attic stair. Could it have been a freak of the light? Could the loud knocking sounds have been the old timbers after all, or an animal? Such as squirrels with hobnail boots, demanded his mind cynically, at which point he went back outside, closing the door firmly on Charect’s ghosts. He paid the locksmith’s modest bill there and then, added a substantial tip for the twofold service of Sunday call-out and photographic advice, and drove back to the Black Boar, leaving the locksmith promising to deliver the keys to the solicitor’s office on Monday.

Sunday lunch at the Black Boar consisted of something called Chicken á la King, which, as far as Michael could tell, was a chicken portion immersed in chicken soup from a tin. He ate it without tasting it, declined something called Death by Chocolate by way of pudding, and had a cup of coffee in the bar. After this he drove back to Oxford, relieved to be heading for familiar ground. That evening he managed to find the camera-owning colleague, who was reading a batch of second-year essays, and persuaded him to download the Charect House photos on to the computer so they could be emailed to Jack and Liz. Yes, he said, he knew it was the easiest thing in the world – of course he did – but since he was not familiar with the camera . . .

Maryland, October 29th

Michael,

That’s a great batch of photos you sent. Liz is thrilled with every last one. It looks a beautiful old place, despite the neglect – and a whole lot grander than we expected! We’ll hide the photos from all the cousins!

Liz is already working out color schemes for that long room with the windows looking over the gardens. She says Wedgwood blue and ivory, whatever Wedgwood blue might be. Beveled bookshelves in the window recesses, and cream silk drapes. (And probably Ellie’s grubby fingerprints all over them to add a touch of
avant-garde
.)

We’re having a survey done next week, and we’ll try to send in local builders and electricians once we’ve got the surveyor’s report. It’ll be difficult from such a distance, but we want to get the really disruptive work done by Christmas. Wiring and plumbing and roof work – oh God,
is
there going to be roof work? Wouldn’t it be great to spend Christmas in the house? Assuming there’s still money in the bank for food by then. But you’d be part of the festivities, even if it had to be bread and gruel round a single candle, like a scene from Dickens.

The efficient Ms West just emailed to say a rosewood table’s being offered in the same sale as the long-case clock, and the provenance indicates it also belonged to Charect House. (One day you’ve got to tell me what that word
charect
means, because I can’t find it in any reference books here and for all I know it could be anything from one of those old Edwardian after-dinner games to an obscure English law nobody’s used for a thousand years. I’m kidding about the after-dinner game, but I’m not kidding about a thousand-year-old law). Ms West said would we like her to bid for the rosewood table at the same time as the clock, and Liz said yes before I could so much as look at a bank statement.

Liz is upstairs with Ellie – Ellie’s got herself really upset over her beloved ‘Elvira’ this last couple of days. She had fierce nightmares last night and, after breakfast, we found her huddled into a corner of her room crying to herself. Liz is keeping her off school today. It’s fine for kids to have imaginary friends, but we might have to find a way of ditching Elvira. Maybe she could go off to do missionary work in Indonesia or to rescue the rainforests? I don’t think Ellie would accept anything less altruistic. She wants to save the world, can you believe that? Seven years old and already she’s a philanthropist.

It looks as though you sneaked a romantic weekend into the schedule somewhere. Except that if you were trying to keep your girlfriend a secret, you should have told her not to stand at the window while you photographed it. I couldn’t see much detail, but I hope she’s a cracker. Maybe we can meet her when we come over. When I
think
of all the knockout girls who’ve lain siege to you over the years, and how you’ve never even realized it . . . Well, I could just spit, that’s all.

Till soon,

Jack.

Michael hardly registered Jack’s last sentence, because by this time he was scouring the computer to retrieve the photos of Charect House. It was astonishing how difficult it was to find things on a computer: he opened several files which appeared to contain nothing but incomprehensible hieroglyphics; lost himself amidst technical folders, alarmingly labelled ‘System File Do Not Delete’; but finally ran the photos to earth.