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Authors: The Mountain Cat

Tags: #Fiction, #General, #Mystery & Detective, #Wyoming

Rex Stout (7 page)

BOOK: Rex Stout
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Delia closed her eyes and read the note her mother had left—read it seeing it, though the paper itself was in a box at home in her closet. She read every word, her throat constricting. But her mother’s terror of the evil had been so great that she had made no attempt to attack it even in that farewell to her daughters; it had contained no mention, no reference at all, to the Reverend Rufus Toale. Nevertheless, Delia and Clara had known. Clara had admitted to Delia that it stared them in the face. And in spite of that, only two weeks ago, only a fortnight after their mother was buried, Clara had allowed Rufus Toale to enter their house and had talked with him! And again and again! And had put Delia off with evasions when she had expostulated.

Delia shivered in the coolness the evening had brought.

She opened her eyes. She heard the sound of footsteps at a distance on the path, but gave it only enough attention for a flitting assumption that it was the caretaker on his rounds. It was twilight, nearly dark, and she realized with a start that Clara might be worrying about her, and besides, she had something to do. She didn’t want to leave. If there was an answer anywhere,
it was here. She had always before come to the cemetery in the morning, but now that she had been here in the dusk of evening, she would come again. It was more … it was better, with no sun shining, with night falling, with the air chill and silent gloom preparing to blanket the graves.…

She became aware that the footsteps had approached quite close—and had stopped. As she started to turn her head a deep, musical voice sounded almost directly above her:

“Good evening, Miss Brand.”

She leaped to her feet and was facing the Reverend Rufus Toale.

His ludicrous straw hat, which he wore winter and summer, was in his hand, strands of his dark hair, with no gray, straggled on his high broad forehead, and a faint compression and twisting of his lips, obviously habitual, might have been characterized, by an impious or hostile tongue, as an unctuous smirk.

“Praise God,” he said.

Delia began to tremble from head to foot.

“I haven’t seen you here before,” he said, “since your mother was taken, though I know you have been coming. My services to the living, for His glory, take up my day and I can come only in the evening. You don’t let me see you, my child, though I have a message for you. I can help you, we can be helped together, by His grace and power and goodness and wisdom. You come, I fear, to this resting place of that sorely tried woman, your dear mother, only to sorrow in her defeat, but I come for strength.” He extended the hand that was not embarrassed by the hat. “I would like to lead you—”

“Get out of here.” Delia thought she was screaming,
though in fact her voice was low, a dull dead monotone. “You—you—get out of here …”

Then she gave up. She couldn’t shoot him, because she had no gun. She couldn’t touch him—she couldn’t do anything. So suddenly she darted past him, to the path, leaving her hat there on the grass next to her mother’s grave, and ran. Her heroic resolve on a supreme retaliation to evil had descended to the level of that trite grotesquerie: a headlong terrified flight through a cemetery at the fall of night. She stumbled once but caught herself and arrived at the gate breathless.

She sat in her car, trembling all over, for a while, until it occurred to her that he might come, and then she started the engine and got the car moving, headed for Cody.

The driving helped to steady her. She liked to drive. Her father had taught her and she was good at it. The dashboard clock said 9:50 as she entered the residential section. She considered telephoning home, or going by way of Vulcan Street to stop at the house, but the route there would take her within two blocks of the Jackson address—and besides, when she saw or spoke to Clara she wanted to be able to announce an accomplished fact. So when she got to Blacktail Avenue she turned left and in another minute rolled to a stop at the curb in front of number 342.

She unfastened three buttons of her dress, retrieved the note from where she had pinned it and buttoned up again. Then she switched off the lights, climbed out and started up the path toward the door of the house; but came to a stop as the rays of headlights swept across her and a car turned into the driveway, scrunching the gravel, and halting opposite her. She heard the car door opening and a voice called:

“Hello, that you, Jean?”

“No! It’s me, Delia Brand!”

“Oh!” A dark blotch that was a wrap and a white spot that was a face approached across the lawn. “Surprise party?”

“I came to see your husband.”

“Then I’m afraid the surprise is on you. He’s not home. He’s down at the office.”

Delia glanced at the house.

“I know,” said Amy Jackson, born Sammis. “The lights are on. I always leave them on when I go out after dark. I’ve only been gone a few minutes, ran downtown to get something.”

“Are you sure he’s at the office?” That was tactless, Delia knew as she said it, but it was out.

“Yes, I—yes, that’s where he said he was going.”

“Much obliged. I guess I’ll drive down there. I just want to see him about something.”

She returned to the car, clutching the note in her hand, got in, and drove to Halley Street.

There was as little space for parking in front of the old Sammis Building as there had been in the afternoon; even less, for Delia was forced to go nearly to the next corner. She walked back. The sidewalk there was well lit and well populated, for The Haven was one of the centers of the town’s strange night life. Salesgirls and garage employees could and did bet a dime on the even at the roulette wheel, but Mortimer Cullen of Chicago had once dropped eighty thousand dollars at faro in five hours.

Delia had never been inside The Haven. She gave its bright windows only a passing glance as she went on to the door admitting to the stairway. The stairs themselves were quite dim, but, mounting, she found that the upper hall, with an electric bulb glowing, was
better lit than in the daytime. On the door which said
Sammis & Jackson
the glass panel looked dark, with no light behind it, but she tried it anyway, found it unlocked and pushed it open. With the note in her hand she felt armed with authority, so she flipped the light switch. The door leading to Jackson’s room was closed, and she went and knocked on it. Silence. She knocked again and called his name, but got no response, so she opened that door too. The room was dark, as the front one had been. She wasn’t familiar with that light switch, but soon found it and turned it on. Then, after one glance, she jerked her head up and stiffened, and stood not breathing, and neither Ty Dillon nor anyone could have accused her of mimicry of movie stars as she held the pose.

A man was in the chair behind the desk, but not in any of the approved, or even disapproved, positions. It was as if he had bent far over to reach something on the floor, got hung on the arm, and whimsically stayed there.

Delia’s nerves were already quivering, had been for some time, and her impulse, after the first shock into rigidity, was to turn and flee screaming down the stairs. Doubtless she would have done that had not the familiarity of an object on the desk demanded, and got, her attention as her eyes began their movement away from the man in the chair. It lay near the edge of the desk closest to her, and she stared at it in amazement.

It was her handbag.

She continued to stare, still rigid; then instinctively, without thinking, stepped forward to get it. She took it in her hand, saw that it was indeed and unbelievably hers, started to tuck it under her arm, and then rested it on the desk again and with fingers that trembled not at all opened it.

There was no gun in it.

She looked around, not at the man in the chair, but searching; and almost at once she saw it. It lay on the seat of a chair near the door. Three quick steps took her there, and she grabbed it up. Yes, it was the gun, her father’s gun; there was the notch which she herself had playfully scratched in it one day with her father’s knife when he had spattered a gopher. In the first instant when she had turned on the light and seen the man in the chair the blood had left her head, blanching her; but now it was rushing back as she began to realize, vaguely but overwhelmingly, the significance of the properties she was collecting on this sinister stage. With her teeth clenched and the gun in her hand, she started around the desk toward the chair on the other side, but halfway there was stopped in her tracks by a voice behind her.

“Better lay it down, ma’am.”

She had heard no steps; apparently her ears hadn’t been working. She wheeled. A man with a weathered face and nearly white hair stood towering a pace from the doorway, with his eyes no more than slits. Delia stared at him without moving or speaking. She knew him; it was Squint Hurley, the prospector who had been put on trial for murdering her father and had been acquitted. She stood and stared.

He came forward with a hand outstretched. “Give it to me. The gun.”

She said idiotically, “It’s my father’s gun.”

“Give it to me anyway. I’ll keep it for him. Who’s your father?” He peered down at her. “By all hell! It’s Charlie Brand’s girl. I don’t want to twist that thing away from you, ma’am. Just hand it over.”

She shook her head. His extended hand shot downward and he had her wrist. She made no struggle or
protest as, with his other hand, he eased the gun from her fingers and rammed it into his pocket without looking at it. Then he strode to the chair on the other side of the desk and stooped to get a look at the face of the man who was still whimsically hanging there.

In a moment he straightened up, observing, “It appears that Dan Jackson won’t do any more grubstaking.” He faced Delia and demanded in a grieved tone, “What’s the idea, anyway?”

Chapter 5

S
o the Brand family troubles made the front page again, in spite of Quinby Pellett’s assertion that they had been there enough. This time the prominence and space given it, not only in Cody, but in distant cities, was considerably greater than on the two previous occasions, for the dish was a more highly seasoned one than a killing in a remote prospector’s cabin or the suicide of a desolated wife. A girl had been found with a gun in her hand, in an office at night, approaching the body of a man with a bullet through his heart who had liked the ladies; and the girl was variously described as strikingly beautiful, glamorous, seductive, enigmatic, captivating, and on up and down.

Of all the people involved and active in the affair one way or another—relatives, friends, associates, officials, photographers, politicians, reporters—the only one who was in a state of indifference at ten o’clock Wednesday morning was the girl herself. She was sound asleep on a cot in a cell of the county jail, lying on a clean white sheet, with no cover, clad in soft, clean, yellow pajamas which her sister Clara had brought to the jail, along with other accessories, shortly after dawn. Seated on a chair in the corridor
outside the cell door was Daisy Welch, wife of the deputy warden, slowly fanning herself with a palm leaf and from time to time sighing heavily. It was a self-imposed vigil. One day a few months ago, when little Annie Welch had tumbled downstairs at school and had bitten a hole in her tongue, Delia had driven her home in her car.

At that moment, in the principal’s office of the Pendleton School, the large woman with sweat on her brow who had glanced in at the door during the assembly for Rhythmic Movement the preceding day, was seated at her desk regarding with grim disapproval a young man who stood before her with a notebook and pencil in his hand. She was saying:

“… and you might as well get out of the building and stay out. It won’t do you any good to snoop around anyhow, because I’m sending a memo around to the teachers that they are not to speak with you. I’ve told you that Delia Brand’s work and character and personality have been completely satisfactory and that’s all I have to say.”

“But Miss Henckel, I tell you we want to give her a break! Comments by you and all the teachers, quoting them by name, would help to sway public opinion—”

“Of course you do,” said the principal sarcastically. “You mean you want to break her. I read the
Times-Star
this morning, didn’t I? I ask you once more to leave this building.”

He soon accepted defeat and departed, hoping for better luck at one of the six other schools, since Delia had had a class in each of them. It was his own idea.

At the Brand home on Vulcan Street, Clara sat on the bench in the breakfast nook in the kitchen, her
elbows on the table and her forehead resting on her palms with a plate of three greasy-looking fried eggs, untouched, in front of her. The floor began to shake from a ponderous tread and the form of Mrs. Lemuel Sammis came through the swinging door.

“That was someone like Vatter or Vitter on the phone,” Evelina Sammis announced.

Clara said without looking up, “Mag Vawter.”

“Mebbe. I told her I was here and you don’t want any company. Also I called the ranch and told Pete to drive in and bring a turkey. We’ve always got a roast turkey or two. There’s no use cooking anything because you won’t eat it while it’s hot, like those eggs, and with a turkey around, any time you’re ready to swallow there it is. Pete can stay here today at least and answer the door and the phone. I’m not built for a canter any more.”

“Thank you so much, Mrs. Sammis, but I’m perfectly able—”

“Forget it, girlie.” She sat down. “I’m taking my shoes off.” She did so and wiggled her toes. “On the ranch I can keep my shoes on all day, but these town shoes start turning on me. Now listen. Lem’ll have her out of there before night, don’t you worry. What’s the use of his owning the state nearly, if he can’t get a girl out of jail? As for her shooting Dan Jackson, that was only a question—”

“I tell you she didn’t do it!”

“All
right.”
Evelina looked annoyed. “Don’t start an argument. Her shooting Dan Jackson was nothing more nor less than a blessing. I’m surprised Lem didn’t do it himself years ago. My Amy is in a state fit to be tied, but she’ll get over it. As soon as Pete gets here I’ll put my shoes back on and go back over to Amy’s and see if she’s eating yet. She’s going to be a different
woman. After all, she’s half Sammis and half Freyvogel—There’s that damn bell again.” She got up with a grunt.

BOOK: Rex Stout
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