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Authors: Margarite St. John

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BOOK: The Art of Death
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Chapter 25
Translation
Monday, June 3, 2013

Amber Wilkins was nervous. Almost two weeks after Kimmie’s death, she’d finally called the Police Department, saying she might have information about the murder at the cemetery. She wasn’t sure the text she’d received from her friend really meant much, she didn’t want to take up the police’s valuable time, but if she could be of help . . . . She was assured she wasn’t wasting anyone’s time.

Now, she was meeting Detective Dave Powers at headquarters. She had hesitated to go to the police not because she was afraid of them but because she was concerned that her cellphone might be confiscated as evidence. Her father assured her that that wouldn’t happen, but if it did, he’d buy her a new one.

Detective Powers was wearing jeans and a sweatshirt rather than a uniform and he had a friendly face, though his firm handshake, piercing black eyes, and strong voice suggested he didn’t waste time or tolerate evasions. After stumbling through an introduction about who she was and why she’d finally decided to contact the police, Amber handed him her cellphone. “Here’s the text Kimmie sent me Sunday night.”

 

2MOR I’m meeting Capt Ahab F2F. He’s been following M. AFAIUI, he has 411 on the Dunes. FNE eyes, deep tan, monotone voice, big gut, dressed like ship capt. IDR, wooden leg? SUITM. BFN

 

Dave looked up with a rueful smile. His 13-year-old son texted in the same argot, but he had yet to decipher all the mysteries. “Translation?”

Amber didn’t even retrieve the phone to look at the screen. She’d memorized the message. “‘Tomorrow I’m meeting Captain Ahab face to face. He’s been following Mattie. As far as I understand it, he has information on the Dunes. Funny eyes, deep tan, monotone voice, big gut, dressed like ship captain. I wonder, wooden leg? See you in the morning. Bye for now.’ That’s what she’s saying.”

“How do you know ‘M’ stands for Mattie rather than, say, ‘me,’ meaning herself, or someone else?”

“That’s how she always referred to Mattie.”

“And who is Mattie?”

“Madeleine. You know, the other girl at the Dunes when their friend drowned all those years ago. I hear Mattie’s some kind of artist now.”

“What information did your friend think this man had?”

“Kimmie told me . . . .” Amber looked away. “Should I repeat what she said? I don’t know if it’s true and it’s definitely not nice.”

“When I’m investigating a crime, most of what I hear isn’t nice. It won’t go beyond this room, at least not with your name attached.”

“She claimed that Mattie wasn’t a hero at all but actually did something to injure the girl who drowned. Reading between the lines, since Captain Ahab was following Mattie, I think Kimmie must have thought he knew the truth and saw what she saw. She always hoped someone would come forward to back her up.”

“Why? I mean, after all these years, why did your friend care?”

“Why? Gosh, I don’t know. But she was having flashbacks about the accident ever since she saw that drawing in the paper showing that the skull they found was Nicole’s. Mattie did that reconstruction.”

“So the information Kimberly Swartz hoped to hear from this man was that Mattie was a bad actor, not a hero. Is that right?”

“Just a guess.”

“After the accident at the Dunes, what was the relationship of Kimberly and Madeleine?”

“I don’t know about their school years. But for the last few years, on Sundays, Kimmie went out to the farm where Mattie lives with her father so she wouldn’t have to go into a salon for massages and facials and stuff like that. But I don’t think they were really friends.”  

“What’s the wooden leg about?”

“No idea.”

“You ever hear the name Captain Ahab before?”

“No.”

“Did you reply to this text?”

“No, not to this text. See the time it was sent? Almost midnight Sunday. By that time I’d been asleep for over an hour and besides I’d turned my phone off. I read the message Monday morning but since Kimmie said I’d see her at work, I didn’t reply. When she didn’t show up at the salon for her first appointment -- .”

“Which was when?”

“Nine o’clock. Anyway, I texted Kimmie then, reminding her she was late and asking her where she was. When she didn’t call or text, I called her mother, but she didn’t know where her daughter was either. Kimmie was never late, never skipped work, so I knew something was up. Not murder, of course. I thought maybe she’d gotten stung by a bee or something. She was very allergic to bees. It was afternoon before we found out” -- Amber shivered -- “what really happened. Nobody could believe it.”

“Did Kimmie have any enemies that you know of?”

“I was afraid you’d ask that,” Amber whispered.

“Why?”

Amber hesitated. Instead of answering, she asked a question herself. “Have you found Kimmie’s cellphone yet? The paper said it was missing.”

“No, we haven’t found it.”

“Well, if you do, you’ll probably see what I’m talking about because she said she’d texted her psychiatrist demanding that he apologize for what he did to her when she was very young.”

“What did he do to her?”

Amber closed her eyes. “Had sex with her. Gave her cocaine. That’s what she claimed.”

“Did you believe her? I mean, did you believe the sex and drugs had actually happened when she was young and then recently she threatened him?”

Amber opened her eyes but looked down at the detective’s desk, not at his face. “I didn’t see the text but I believe she sent it because when I saw her for lunch, she kept glancing at her phone, waiting for the doctor to reply. That’s why I asked if you have her cellphone. I told her it was dumb what she did.”

Dave tilted his head inquiringly.

“It was dumb because she said he either had to apologize or she’d tell somebody about what he’d done. She didn’t give the man a way out, so I told her he was bound to get mad. I told her, it’s like shooting at the king and missing, so she’d better prepare for war.”  

“Does this psychiatrist have a name?”

“Beltrami.”

Dave kept his face as impassive as possible. “Anthony Beltrami?”

“I don’t think I ever heard his first name. She always called him Dr. Beltrami.”

“Was your friend still seeing a psychiatrist the last you knew?”

“Oh, yes, and you’ll never guess who it was.”

“The way you say that, I can guess.”

“Beltrami.”

Dave tapped his pen on the desk. “Do you know why she was still seeing him if he’d done the terrible things she claimed?”

“That’s a puzzle, isn’t it? She said he quit doing the bad things before she graduated from high school, so that’s why she kept seeing him up until a few weeks ago. I don’t think she saw the doctor after she sent the text demanding an apology.”

“So the sex and drugs weren’t recent?”

“Not according to her. When she was in high school, she said she finally complained one day about the sex and the drugs, but he had an answer.”

“Which was?”

“They were part of classic German therapy and the sex and drugs made her stronger. He said she should stop living in the past or she’d never get well. . . . And he threatened her too.”

“How?”

“Maybe ‘threat’ is the wrong word. He just warned her that she’d get in a lot of trouble if she ever told anybody about the therapy.”

“Do you think she was stronger as a result of the therapy?”

“I don’t know. Maybe. She had a regular job, supported herself, didn’t do bad things, so maybe it did help. Pretty normal, don’t you think?”

“If she was normal, why did she still need therapy as an adult?”

“Well, at least, two times that I know about, she tried to kill herself, so she needed help with that. That makes sense, right? She was obsessed with what she saw at the Dunes and the wrongs she thought Dr. Beltrami did to her.”

“All the time you knew her she was obsessed?”

Amber looked down in thought. “After she saw that poor drowned girl’s face in the paper -- the one Mattie reconstructed -- that’s when she got a little crazy. And then Dr. Beltrami put her back on medication.”

“Do you know what it was?”

“Antidepressants. Over the years she’d had Xanax, Zoloft, Paxil, things like that. She’d go on, then off. I don’t know what she was on before she -- before she died. Her family doctor wouldn’t prescribe antidepressants, saying a psychiatrist should do it. But really . . . I thought it was odd too that she didn’t switch therapists. The only reason I can come up with is Kimmie didn’t like change, not of any kind. Everything with her was a habit. Jigsaw puzzles, bike riding, tuna fish and Gatorade for lunch. She did almost everything alone -- no new friends, no dating -- and she did each thing according to some rigid schedule in her head. You want me to tell you a little about her family?”

“Please do.”

Suddenly, Amber grew silent. “It just occurred to me. What I’ve told you is dangerous.”

Dave waited for her to explain.

“You didn’t know about Mattie or Dr. Beltrami, right?”

Dave shrugged.

Amber waited for him to say something. When he didn’t, she continued. “You asked me if Kimmie had enemies. Well, I suppose Mattie and Dr. Beltrami could be seen as her enemies. I don’t want them to know I talked to you.”

“They won’t, but why are you concerned?” Dave could guess, but he wanted to hear it from Amber’s mouth.

“Kimmie was afraid of both of them. I know that sounds ridiculous because she still gave Mattie special spa services and she was still seeing the doctor. But, believe me, she was afraid of both. I’m not saying they’d do anything to me if they knew what I’ve told you, but . . . .”

“But you’re not sure.”

“I just don’t want them to know I’ve been here.”

“They won’t.” Dave looked at the cellphone screen again. “Your friend describes the man’s eyes and voice and so forth. I take it she met him.”

“She never said so.”

“Then how would she know what he looked like? Did he send her a picture of himself?”

“No idea.”

“Did Madeleine tell her what he looked like?”

“Again, I don’t know. I never heard of Captain Ahab before I saw this text.”

An hour later, Amber left the police station, believing she might have done the right thing but wondering if it had been smart. At least her cellphone hadn’t been confiscated as evidence.

Chapter 26
Lock the Doors
Saturday, June 8, 2013

“So you
do
think Chester might have killed your friend,” Anthony Beltrami mused aloud. He and Madeleine had eaten dinner at the Gretna Green Golf and Tennis Club and were now sitting side by side in upholstered lounge chairs on the balcony of his Harrison Square apartment, watching the post-game fireworks at Parkview Field.

“Oh, Anthony, please. I teased him about it because he said he’d killed in the Korean war and he could kill again if I needed to take someone out. But you know he’s not strong enough to do anything like that -- walk downstairs by himself, take a gun out of the cabinet, get the pickup out of the garage, drive to the cemetery, kill someone, drive back, replace the gun, climb the stairs again, and pretend nothing happened.”

“I don’t know anything of the kind. I haven’t seen your father in, what, two or three years because you tell me I can’t see him so weak. Which is something we’re going to have to get straight soon or I’ll stop writing his prescriptions. I’m a doctor, you know. I see people in a weak state all day long.”

“Well, I’m telling you the truth. He’s weak. Besides, how would he have known where Kimmie would be at any given time? . . . No, it was just a joke.”

“Not all that funny, Schatzi. Murder’s serious. People don’t like to be accused of things like that. Even your long-suffering
vater
.”

“I just want to know who did it.”

“Why? You didn’t even like her.”

Madeleine signaled him to refresh her wine glass. “I didn’t hate her and she was useful. Besides, who doesn’t want the answer to a mystery? . . . Oh, wow, that was a good one,” she exclaimed as a Roman candle suddenly exploded, showering the field in bursts of color.

After a short silence, she resumed. “Here’s a mystery I’d like to solve. Did you really have sex with her when she started seeing you all those years ago?”

Anthony laughed softly. “Is that the green-eyed monster speaking?”

“I’m not jealous. I just never knew for sure if Kimmie was telling the truth.”

“She wasn’t telling the truth, poor girl. I only practiced old-world therapy on you. Even at that age, you were special.” Anthony rolled the ash off his cigar, then abruptly changed the subject. “You shouldn’t have interrupted your ex-husband’s dinner tonight at Gretna Green, Schatzi. His wife looked like she wanted to throw you out on your ear.”

“I just wanted to let him know how happy I am with the progress on the barn. She should be happy to hear him praised. And very, very happy with the money he’s making off of me.”

Anthony snorted. “Good thing you didn’t try to become a psychiatrist. As a general matter, I can confidently say that new wives do not welcome ex-wives into their world. They don’t want to be reminded that their husbands once loved other women.”

“Did you love Kimmie?”

“Oh, for God’s sake, Schatzi, put her out of your mind.”

“After I’m done painting her picture, I will.”

“You’re doing a portrait of her?”

“That’s the canvas in your guest bedroom.” While the barn was being remodeled, she had set up a temporary studio in Anthony’s apartment.

“Why Kimmie?”

“I see her face at the moment of her death as clearly as if I’d been there. I want to capture that look while it’s fresh in my mind.”

“What do you see on her face?” he asked.

“Dawning recognition.”

“Of what?”

“The identity of the man who killed her.”

Anthony shook his head in puzzlement. “How do you know that?”

“I
don’t
know that. I never know
for sure
what dead people were thinking just before the curtain went down, but if I put myself in their place, I can make a good guess.”

“Who do you think Kimmie recognized?”

Madeleine shook her head.

Anthony frowned at her. “You’re thinking something. What’s your best guess?”

“Captain Ahab. Suddenly, he’s disappeared. It makes me nervous.”

“Ah, the mysterious Captain Ahab.” Anthony sighed deeply. “Why would he want to kill her?”

“He wouldn’t. But I think it was him just the same.”

“You’ve just contradicted yourself. Earlier you said you wanted to know who killed Kimmie. Now you say you know who did.”

Suddenly, Madeleine’s voice was sharp. “How many times do I have to tell you, I don’t know for sure. But the very thought that that horrible man did it gives me the willies. I think he wants to kill me too.”

“Are we a little paranoid?”

She didn’t deign to respond. “The fireworks are over. You know what they remind me of?”

“Sex.”

“Of course, sex. Remember that scene in
To Catch a Thief?
Grace Kelly and Cary Grant in the hotel room on the French Riviera? The fireworks suggested all you need to know about what they were doing.”

“That’s good. Change the subject. You do that when you’re nervous.”

“I’m not nervous.”

“I know the signs. When you get nervous, you also walk in your sleep. That makes me nervous.”

Madeleine giggled. “Funny that I still do that. Daddy said I’d grow out of it.”

“He was right. Somnambulism is a disorder that usually decreases with age. Which is fortunate because it’s very dangerous. Sleepwalkers have even been known to kill in that state. So let me repeat my many previous offers. I can prescribe clonazepam. It helps some sufferers.”

“And as I’ve said many times before, no, no, and no,” she said, getting to her feet with a yawn. “I prefer hydrocodone now that you’ve stopped the cocaine. Just lock the doors, make love to me, give me one of those lovely pills, and let me have my favorite pillow. I promise, I won’t walk anywhere for hours.”

Anthony ground out his cigar and got to his feet too. “Only too glad to cooperate.”

BOOK: The Art of Death
11.16Mb size Format: txt, pdf, ePub
ads

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