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Authors: Aldous Huxley

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BOOK: The Devils of Loudun
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J’aperçus d’un autre côté
,
Une vierge rare en beauté
,
Qu’on appelle Thérèse;
Son visage tout allumé
Montrait bien qu’elle avait humé
De ce vin à son aise
.
Elle me dit: “Prends-en pour toi
,
Bois-en et chantes avec moi:
Dieu, Dieu, Dieu, je ne veux que Dieu:
Tout le reste me pèse.”
Une Génoise, dont le cœur
Etait plein de cette liqueur
,
Semblait lui faire escorte:
Elle aussi rouge qu’un charbon
S’écriait: “Que ce vin est bon. . . .”
 
That the verses are feeble and the taste atrocious was due to a want, not of health, but of talent. Surin’s poetry was as poor when he was sane as when he was out of his wits. His gift (and it was considerable) was for the clear and exhaustive exposition of a subject in prose. And this precisely was what, during the second half of his illness, he actually undertook. Composing in his head and dictating every evening to an amanuensis, he produced, between 1651 and 1655, his greatest work,
Le Catéchisme Spirituel
. This is a treatise comparable in scope and in intrinsic merit to the
Holy Wisdom
of its author’s English contemporary, Augustine Baker. In spite of its great length of more than a thousand duodecimo pages, the
Catechism
remains a very readable book. True, the surface texture of the writing is somewhat uninteresting; but this is not the fault of Surin, whose pleasantly old-fashioned style has been corrected, in the modern editions of the book, by what his nineteenth-century editor calls, with unconscious irony, “a friendly hand.” Luckily, the friendly hand could not spoil the book’s essential qualities of simplicity even in the subtlest analyses, of matter-of-factness even when it deals with the sublime.
At the time he composed his
Catechism
, Surin was incapable of consulting books of reference, or of going back over his own manuscript. And yet, in spite of this, the references to other authors are copious and apt, and the work itself is admirably well organized in a series of returns to the same themes, which are treated on each occasion from a different viewpoint, or with a graduated increase of elaboration. To compose such a book under such handicaps required a prodigious memory and exceptional powers of concentration. But Surin, though somewhat better than he had been at his worst, was still generally regarded (and not without reason) as a lunatic.
To be mad with lucidity and in complete possession of one’s intellectual faculties—this, surely, must be one of the most terrible of experiences. Unimpaired, Surin’s reason looked on helplessly, while his imagination, his emotions and his autonomic nervous system comported themselves like an alliance of criminal maniacs, bent on his destruction. It was a struggle, in the last analysis, between the active person and the victim of suggestion, between Surin the realist, doing his best to cope with actual facts, and Surin the verbalist, converting words into hideous pseudo-realities, in regard to which it was only logical to feel terror and despair.
Surin’s was merely an extreme case of the universal human predicament. “In the beginning was the word.” So far as human history is concerned, the statement is perfectly true. Language is the instrument of man’s progress out of animality, and language is the cause of man’s deviation from animal innocence and animal conformity to the nature of things into madness and diabolism. Words are at once indispensable and fatal. Treated as working hypotheses, propositions about the world are instruments, by means of which we are enabled progressively to understand the world. Treated as absolute truths, as dogmas to be swallowed, as idols to be worshipped, propositions about the world distort our vision of reality and lead us into all kinds of inappropriate behaviour. “Wishing to entice the blind,” says Dai-o Kokushi, “the Buddha playfully let words escape from his golden mouth. Heaven and earth have been filled, ever since, with entangling briars.” And the briars have not been exclusively of Far Eastern manufacture. If Christ came “not to send peace on earth, but a sword,” it was because He and His followers had no choice but to embody their insights in words. Like all other words, these Christian words were sometimes inadequate, sometimes too sweeping, and always imprecise—therefore always susceptible of being interpreted in many different ways. Treated as working hypotheses—as useful frames of reference, within which to organize and cope with the given facts of human existence—propositions made up of these words have been of inestimable value. Treated as dogmas and idols, they have been the cause of such enormous evils as theological hatred, religious wars and ecclesiastical imperialism, together with such minor horrors as the orgy at Loudun and Surin’s self-suggested madness.
Moralists harp on the duty of controlling the passions; and of course they are quite right to do so. Unhappily most of them have failed to harp on the no less essential duty of controlling words and the reasoning based upon them. Crimes of passion are committed only in hot blood, and blood is only occasionally hot. But words are with us all the time, and words (owing, no doubt, to the conditioning of early childhood) are charged with a suggestive power so prodigious as to justify, in some sort, the belief in spells and magic formulas. Far more dangerous than crimes of passion are the crimes of idealism—the crimes which are instigated, fostered and moralized by hallowed words. Such crimes are planned when the pulse is normal and committed in cold blood and with unwavering perseverance over a long course of years. In the past, the words which dictated the crimes of idealism were predominantly religious; now they are predominantly political. The dogmas are no longer metaphysical, but positivistic and ideological. The only things that remain unchanged are the idolatrous superstition of those who swallow the dogmas, and the systematic madness, the diabolic ferocity, with which they act upon their beliefs.
Transferred from the laboratory and the study to the church, the parliament and the council chamber, the notion of working hypotheses might liberate mankind from its collective insanities, its chronic compulsions to wholesale murder and mass suicide. The fundamental human problem is ecological: men must learn how to live with the cosmos on all its levels, from the material to the spiritual. As a race, we have to discover how a huge and rapidly increasing population can go on existing satisfactorily on a planet of limited size and possessed of resources, many of which are wasting assets that can never be renewed. As individuals, we have to find out how to establish a satisfactory relationship with that infinite Mind, from which we habitually imagine ourselves to be isolated. By concentrating our attention on the
datum
and the
donum
we shall develop, as a kind of by-product, satisfactory methods of getting on with one another. “Seek ye first the Kingdom, and all the rest shall be added.” But instead of that, we insist on first seeking all the rest—the all too human interests born of self-centred passion on the one hand and idolatrous word-worship on the other. The result of this is that our basic ecological problems remain unsolved and insoluble. Concentration on power politics makes it impossible for organized societies to improve their relationship with the planet. Concentration on idolatrously worshipped word-systems makes it impossible for individuals to improve their relations with the primordial Fact. Seeking first all the rest, we lose not only it, but the Kingdom as well, and the earth on which alone the Kingdom can come.
In Surin’s case certain of the propositions he had been taught to worship as dogmas drove him out of his mind by creating occasions for terror and despair. But fortunately there were other propositions, more encouraging and equally dogmatic.
On 12th October 1655 one of the fathers at the College of Bordeaux (to which, by this time, Surin had returned) came to his room to hear his confession and prepare him for Communion. The only grave sin of which the sick man could accuse himself was that of not having behaved sufficiently wickedly; for, since God had already damned him, it was only right that he should live up to his damnation by wallowing in all the vices, whereas in fact he always tried to be virtuous. “To say that a Christian ought to feel scruples in regard to doing good will seem ridiculous to the reader, as it now does to me.” These words were written in 1663. In 1655 Surin still felt that it was his duty, as a lost soul, to be wholly bad. But, in spite of this duty, he found it morally impossible to be anything but good. In this, he was convinced, he had committed a sin more enormous than that of premeditated murder. It was this sin which he now confessed, “not as a man living on the earth, for whom there is still hope, but as one of the damned.” The confessor, who was evidently a kindly, sensible man, well acquainted with Surin’s weakness for the extraordinary, assured his penitent that, though not at all prone to this kind of thing, he had often felt a strong impression, call it an inspiration, that all would finally be well. “You will recognize your mistake, you will be able to think and act like other men, you will die in peace.” The words made a profound impression on Surin’s mind, and from that moment the suffocating cloud of fear and misery began to lift. God had not rejected him; there was still hope. Hope for recovery in this world, hope for salvation in the next.
With hope came a slow return to health. One by one the physical inhibitions and paralyses disappeared. The first to go was the inability to write. One day, in 1657, after eighteen years of enforced illiteracy, he picked up a pen and was able to scrawl three pages of thoughts on the spiritual life. The characters were “so confused that they seemed scarcely human”; but that did not matter. What mattered was that his hand had at last been able to co-operate, however inadequately, with his mind.
Three years later he recovered the ability to walk. It happened while he was staying in the country, at the house of a friend. At the beginning of his stay, he had to be carried by two footmen from his bedroom to the dining-room, “for I could not take a step without great pain. These pains were not like the pains of paralytics; they were pains which tended towards a shrinking and contraction of the stomach, and at the same time I used to feel a great violence in my bowels.” On 27th October 1660 one of his relatives called to see him and, when the time came for him to go, Surin painfully dragged himself to the door to say goodbye. Standing there, after the visitor’s departure, he looked out into the garden “and began to study, with a certain distinctness, the objects that were in it, a thing which, on account of an extreme debility of the nerves, I had not been able to do for fifteen years.” Feeling, instead of the familiar pains, “a certain suavity,” he went down the five or six steps into the garden and looked about him for a little while longer. Looked at the black mould and the shiny green of the box hedges, looked at the lawns and the Michaelmas daisies and the alley of pleached hornbeams. Looked at the low hills in the distance with their autumnal woods, fox-brown under the pale sky, in the almost silvery sunlight. There was no wind, and the silence was like an enormous crystal, and everywhere was a living mystery of colours merging, of forms distinct and separate, of the innumerable and the one, of passing time and the presence of eternity.
Next day Surin ventured out again into the universe he had almost forgotten; and, the day after that, his voyage of rediscovery took him as far as the well—and it did not invite him to suicide. He even left the garden and walked, ankle-deep in the dead leaves, through the little wood that lay beyond the walls. He was cured.
Surin accounts for his unawareness of the external world by an “extreme debility of the nerves.” But this debility never prevented him from concentrating his attention on theological notions and the phantasies to which those notions gave rise. Actually it was his obsession with these images and abstractions which so disastrously cut him off from the natural world. Long before the onset of his illness he had forced himself to live, at one remove from the given facts, in a world where words and reactions to words were more important than things and lives. With the sublime insanity of one who carries a faith to its logical conclusions, Lallemant had taught that “we ought not to see or wonder at anything on this earth except the Holy Sacrament. If God were capable of wonder, He would wonder only at this mystery, and that of the Incarnation. . . . After the Incarnation, we ought not to wonder at anything.” In neither seeing nor wondering at anything in the given world, Surin was merely acting on his master’s injunctions. Hoping to deserve the
donum
, he ignored the
datum
. But the highest Gift is by means of the given. The Kingdom of God comes on earth and through the perception of earth as it is in itself, and not as it appears to a will distorted by self-centred cravings and revulsions, to an intellect distorted by ready-made beliefs.
As a rigorist theologian, convinced of the total depravity of a fallen world, Surin agreed with Lallemant that there was nothing in nature worth looking or wondering at. But his theories were not in accord with his immediate experience. “Sometimes,” he writes in
Le Catéchisme Spirituel
, “the Holy Spirit enlightens the soul successively and by degrees; and then He takes advantage of everything that presents itself to consciousness—animals, trees, flowers or anything else in creation—in order to instruct the soul in the great truths and to teach her secretly what she must do for the service of God.” And here is another passage in the same vein. “In a flower, in a tiny insect, God makes manifest to souls all the treasures of His wisdom and goodness; and there needs no more to provoke a new conflagration of love.” Writing directly of himself, Surin records that “on a number of occasions my soul was invested with these states of glory, and the sunlight seemed to grow incomparably brighter than usual, and yet was so soft and bearable that it seemed to be of another kind than natural sunlight. Once when I was in this state, I went out into the garden of our college at Bordeaux; and so great was this light that I seemed to myself to be walking in paradise.” Every colour was more “intense and natural,” every form more exquisitely distinct than at ordinary times. Spontaneously and by a kind of blessed accident, he had entered that infinite and eternal world, which we would all inhabit if only, in Blake’s words, “the doors of perception were cleansed.” But the glory departed and, through all the years of his illness, never returned. “Nothing remains to me but the memory of a very great thing, surpassing in beauty and grandeur all that I have experienced in this world.”
BOOK: The Devils of Loudun
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