The School for Good and Evil (4 page)

“Boo
.
”

Beatrix fled for her life.

As Agatha sprinted for the door, she looked back with pride as girls collided into walls and trampled each other to escape. Fixed on rescuing Sophie, she lunged through the frosted doors, ran for the lake, but just as she got to it, the waters rose up in a giant wave and with a tidal crash, slammed her back through the doors, through screeching girls, until she landed on her stomach in a puddle.

She staggered to her feet and froze.

“Welcome, New Princess,” said a floating, seven-foot nymph. It moved aside to reveal a foyer so magnificent Agatha lost her breath. “Welcome to the School for Good.”

Sophie couldn’t get over the smell of the place. As she lurched along with the line, she gagged on the mix of unwashed bodies, mildewed stone, and stinking wolf. Sophie stood on her tiptoes to see where the line was headed, but all she could see was an endless parade of freaks. The other students threw her dirty looks but she responded with her kindest smile, in case this was all a test. It had to be a test or glitch or joke or
something.

She turned to a gray wolf. “Not that I question your authority, but might I see the School Master? I think he—” The wolf roared, soaking her with spit. Sophie didn’t press the point.

She slumped with the line into a sunken anteroom, where three black crooked staircases twisted up in a perfect row. One carved with monsters said MALICE along the banister, the second, etched with spiders, said MISCHIEF, and the third with snakes read VICE. Around the three staircases, Sophie noticed the walls covered with different-colored frames. In each frame there was a portrait of a child, next to a storybook painting of what the student became upon graduation. A gold frame had a portrait of an elfish little girl, and beside it, a magnificent drawing of her as a revolting witch, standing over a comatose maiden. A gold plaque stretched under the two illustrations:

C
ATHERINE OF
F
OXWOOD
Little Snow White
(Villain)

In the next gold frame there was a portrait of a smirking boy with a thick unibrow, alongside a painting of him all grown up, brandishing a knife to a woman’s throat:

D
ROGAN OF
M
URMURING
M
OUNTAINS
Bluebeard
(Villain)

Beneath Drogan there was a silver frame of a skinny boy with shock blond hair, turned into one of a dozen ogres savaging a village:

K
EIR OF
N
ETHERWOOD
Tom Thumb
(Henchman)

Then Sophie noticed a decayed bronze frame near the bottom with a tiny, bald boy, eyes scared wide. A boy she knew. Bane was his name. He used to bite all the pretty girls in Gavaldon until he was kidnapped four years before. But there was no drawing next to Bane. Just a rusted plaque that read:

F
AILED

Sophie looked at Bane’s terrified face and felt her stomach churn.
What happened to him?
She gazed up at thousands of gold, silver, and bronze frames cramming every inch of the hall: witches slaying princes, giants devouring men, demons igniting children, heinous ogres, grotesque gorgons, headless horsemen, merciless sea monsters. Once awkward adolescents. Now portraits of absolute evil. Even the villains that had died gruesome deaths—Rumpelstiltskin, the Beanstalk Giant, the Wolf from
Red Riding Hood
—were drawn in their greatest moments, as if they had emerged triumphant from their tales. Sophie’s gut took another twist when she noticed the other children gazing up at the portraits in awed worship. It hit her with sick clarity. She was in line with future murderers and monsters.

Her face broke out in a cold sweat. She needed to find a faculty member. Someone who could search the list of enrolled students and see she was in the wrong school. But so far, all she could find were wolves that couldn’t speak, let alone read a list.

Turning the corner into a wider corridor, Sophie saw a red-skinned, horned dwarf ahead on a towering stepladder, hammering more portraits into a bare wall. Her teeth clenched with hope as she inched towards him in line. As she plotted to get his attention, Sophie suddenly noticed the frames on this wall held familiar faces. There was the hoggish dough boy she had seen earlier, labeled B
RONE OF
R
OCH
B
RIAR.
Next to him was a painting of the one-eyed, wispy-haired girl: A
RACHNE OF
F
OXWOOD
. Sophie scanned the portraits of her classmates, awaiting their villainous transformations. Her eyes stopped on Weasel Boy’s. H
ORT OF
B
LOODBROOK
.
Hort. Sounds like a disease
. She moved ahead in line, ready to cry to the dwarf—

Then she saw the frame under his hammer.

Her own face smiled back at her.

With a shriek, Sophie bolted out of line, fumbled up the ladder, and snatched the portrait from the stunned dwarf’s fingers. “No! I’m in
Good
!” she shouted, but the dwarf snatched it back and the two tussled over the portrait, kicking and clawing until Sophie had enough and gave him a slap. The dwarf screamed like a little girl and swung at her with his hammer. Sophie dodged it but lost her balance, and the stepladder teetered and crashed between the walls. Splayed out on rungs in midair, she looked down at snarling wolves and goggling students—“I need the School Master!”—then lost her grip, slid across the ladder, and landed in a heap at the front of the line.

A dark-skinned hag with a massive boil on her cheek thrust a sheet of parchment into her hands.

Sophie looked up, dumbstruck. “See you in class, Witch of Woods Beyond,” the hag croaked. Before Sophie could respond, an ogre dumped a ribbon-tied stack of books in her hands.

Best Villainous Monologues, 2nd ed.

Spells for Suffering, Year 1

The Novice’s Guide to Kidnapping & Murder

Embracing Ugliness Inside & Out

How to Cook Children (with New Recipes!)

The books were bad enough, but then Sophie saw the ribbon tying them was a live eel. She screamed and dropped the books, before a spotted satyr foisted musty black fabric at her. Unfurling it, Sophie shrank from a dumpy, tattered tunic that sagged like shredded curtains.

She gaped at the other girls, gleefully putting on the putrid uniform, combing through their books, comparing schedules. Sophie slowly looked down at her own foul black robes. Then at her eel-slimed books and schedule. Then at her smiling, sweet portrait, back on the wall.

She ran for her life.

Agatha knew she was in the wrong place because even the faculty gave her confused looks. Together they lined the four spiral staircases of the cavernous glass foyer, two of them pink, two blue, showering confetti upon the new students. The female professors wore different-colored versions of the same slim, high-necked dress, with a glittering silver swan crest over the heart. Each had added a personal touch to the dress, whether inlaid crystals, beaded flowers, or even a tulle bow. The male professors, meanwhile, all wore bright slim suits in a rainbow of hues, paired with matching vests, narrow ties, and colorful kerchiefs tucked into pockets embroidered with the same silver swan.

Agatha noticed immediately they were all more attractive than any adults she had ever seen. Even the older faculty was elegant to the point of intimidation. Agatha had always tried to convince herself beauty was pointless because it was temporary. Here was proof it lasted forever.

The teachers tried to disguise their nudges and whispers upon seeing the dripping-wet, misplaced student, but Agatha was used to catching these things. Then she noticed one who wasn’t like the rest. Haloed against a stained glass window with a shamrock green suit, silver hair, and shiny hazel eyes, he beamed down at her as if she completely belonged. Agatha reddened. Anyone who thought she belonged here was a loon. Turning away, she took comfort in the glowering girls around her, who clearly hadn’t forgiven her for the incident in the hall.

“Where are the boys?” Agatha heard one ask another, as the girls filed in in front of three enormous, floating nymphs with neon hair and lips, who handed out their schedules, books, and robes.

As Agatha followed the line behind them, she had a better look at the majestic stair room. The wall opposite her had an enormous pink-painted
E
, with lovingly drawn angels and sylphs fluttering around its edges. The other three walls had painted letters too, spelling out the word E-V-E-R in pink and blue. The four spiral staircases were arranged symmetrically at the corners of each wall, lit by high stained glass windows. One of the two blue flights had HONOR tattooed upon its baluster, along with glass etchings of knights and kings, while the other read VALOR, decorated with blue reliefs of hunters and archers. The two pink glass staircases had PURITY and CHARITY emblazoned in gold, along with delicate friezes of sculpted maidens, princesses, and kindly animals.

In the center of the room, alumni portraits blanketed a soaring crystal obelisk that reached from milky marble floor to domed sunroof. Higher up on the obelisk were gold-framed portraits of students who became princes and queens after graduation. In the middle were silver frames, for those who found lesser fates as jaunty sidekicks, dutiful housewives, and fairy godmothers. And near the bottom of the pillar, flecked with dust, were bronze-framed underachievers who had ended up footmen and servants. But regardless of whether they became a Snow Queen or a chimney sweep, Agatha saw the students shared the same beautiful faces, kind smiles, and soulful eyes. Here in a glass palace in the middle of the woods, the best of life had gathered in service of Good. And here she was, Miss Miserable, in service of graveyards and farts.

Agatha waited with bated breath, until she finally reached a pink-haired nymph. “There’s been a mix-up!” she panted, dripping water and sweat. “It’s my friend Sophie who’s supposed to be here.”

The nymph smiled.

“I tried to stop her from coming,” Agatha said, voice quickening with hope, “but I confused the bird and now I’m here and she’s in the other tower but she’s pretty and likes pink and I’m . . . well, look at me. I know you need students but Sophie’s my best friend and if she stays then I have to stay and we
can’t
stay, so please help me find her so we can go home.”

The nymph handed her a piece of parchment.

Agatha stared at it, stupefied. “But—”

A green-haired nymph thrust her a basket of books, some peeking out:

The Privilege of Beauty

Winning Your Prince

The Recipe Book for Good Looks

Princess with a Purpose

Animal Speech 1: Barks, Neighs, & Chirps

Then a blue-haired nymph held up her uniform: an appallingly short pink pinafore, sleeves poofed with carnations, worn over a white lace blouse that seemed to be missing three buttons.

Stunned, Agatha looked at future princesses around her, tightening their pink dresses. She looked at books that told her beauty was a privilege, that she could win a chiseled prince, that she could talk to birds. She looked at a schedule meant for someone beautiful, graceful, and kind. Then she looked up at a handsome teacher, still smiling at her, as if expecting the greatest things from Agatha of Gavaldon.

Agatha did the only thing she knew how to do when faced with expectations.

Up the blue Honor staircase, through sea-green halls, she ran, fairies jangling furiously behind. Hurtling through halls, scrambling up stairs, she had no time to take in what she was seeing—floors made of jade, classrooms made of candy, a library made of gold—until she reached the last staircase and surged through a frosted glass door onto the tower roof. In front of her, the sun lit up a breathtaking open-air topiary of sculptured hedges. Before Agatha could even see what the sculptures were of, fairies smashed through the door, shooting sticky golden webs from their mouths to catch her. She dove to elude them, crawling like a bug through the colossal hedges. Finding her feet, she sprinted and leapt onto the tallest sculpture of a muscular prince raising a sword high above a pond. She scaled the leafy sword to its prickling tip, kicking away swarming fairies. But soon there were too many and just as they spat their glittering nets, Agatha lost her grip and crashed into the water.