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Authors: Raymond Chandler

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BOOK: Trouble Is My Business
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Warehouses, a produce market, a big gas tank, more warehouses, railroad tracks, and two bridges dropped behind us. I beat three traffic signals by a hair and went right through a fourth. Six blocks on I got the siren from a motorcycle cop. Ohls passed me a bronze star and I flashed it out of the car, twisting it so the sun caught it. The siren stopped. The motorcycle kept right behind us for another dozen blocks, then sheered off.

Gray Lake is an artificial reservoir in a cut between two groups of hills, on the east fringe of San Angelo. Narrow but expensively paved streets wind around in the hills, describing elaborate curves along their flanks for the benefit of a few cheap and scattered bungalows.

We plunged up into the hills, reading street signs on the run. The gray silk of the lake dropped away from us and the exhaust of the old Marmon roared between crumbling banks that shed dirt down on the unused sidewalks. Mongrel dogs quartered in the wild grass among the gopher holes.

Renfrew was almost at the top. Where it began there was a small neat bungalow in front of which a child in a diaper and nothing else fumbled around in a wire pen on a patch of lawn. Then there was a stretch without houses. Then there were two houses, then the road dropped, slipped in and out of sharp turns, went between banks high enough to put the whole street in shadow.

Then a gun roared around a bend ahead of us.

Ohls sat up sharply, said: “Oh-oh! That’s no rabbit gun,” slipped his service pistol out and unlatched the door on his side.

We came out of the turn and saw two more houses on the down side of the hill, with a couple of steep lots between them. A long gray car was slewed across the street in the space between the two houses. Its left front tire was flat and both its front doors were wide open, like the spread ears of an elephant.

A small, dark-faced man was kneeling on both knees in the street beside the open right-hand door.His right arm hung loose from his shoulder and there was blood on the hand that belonged to it. With his other hand he was trying to pick up an automatic from the concrete in front of him.

I skidded the Marmon to a fast stop and Ohls tumbled out.

“Drop that, you!” he yelled.

The man with the limp arm snarled, relaxed, fell back against the running board, and a shot came from behind the car and snapped in the air not very far from my ear. I was out on the road by that time. The gray car was angled enough towards the houses so that I couldn’t see any part of its left side except the open door. The shot seemed to come from about there. Ohls put two slugs into the door. I dropped, looked under the car and saw a pair of feet. I shot at them and missed.

About that time there was a thin but very sharp crack from the corner of the nearest house. Glass broke in the gray car. The gun behind it roared and plaster jumped out of the corner of the house wall, above the bushes. Then I saw the upper part of a man’s body in the bushes. He was lying downhill on his stomach and he had a light rifle to his shoulder.

He was Tom Sneyd, the taxi driver.

Ohls grunted and charged the gray car. He fired twice more into the door, then dodged down behind the hood. More explosions occurred behind the car. I kicked the wounded man’s gun out of his way, slid past him and sneaked a look over the gas tank. But the man behind had had too many angles to figure.

He was a big man in a brown suit and he made a clatter running hard for the lip of the hill between the two bungalows. Ohls’ gun roared. The man whirled and snapped a shot without stopping. Ohls was in the open now. I saw his hat jerk off his head. I saw him stand squarely on well-spread feet, steady his pistol as if he was on the police range.

But the big man was already sagging. My bullet had drilled through his neck. Ohls fired at him very carefully and he fell and the sixth and last slug from his gun caught the man in the chest and twisted him around. The side of his head slapped the curb with a sickening crunch.

We walked towards him from opposite ends of the car. Ohls leaned down, heaved the man over on his back. His face in death had a loose, amiable expression, in spite of the blood all over his neck. Ohls began to go through his pockets.

I looked back to see what the other one was doing. He wasn’t doing anything but sitting on the running board holding his right arm against his side and grimacing with pain.

Tom Sneyd scrambled up the bank and came towards us.

Ohls said: “It’s a guy named Poke Andrews. I’ve seen him around the poolrooms.” He stood up and brushed off his knee. He had some odds and ends in his left hand. “Yeah, Poke Andrews. Gun work by the day, hour or week. I guess there was a livin’ in it—for a while.”

“It’s not the guy that sapped me,” I said. “But it’s the guy I was looking at when I got sapped. And if the redhead was giving out any truth at all this morning, it’s likely the guy that shot Lou Harger.”

Ohls nodded, went over and got his hat. There was a hole in the brim. “I wouldn’t be surprised at all,” he said, putting his hat on calmly.

Tom Sneyd stood in front of us with his little rifle held rigidly across his chest. He was hatless and coatless, and had sneakers on his feet. His eyes were bright and mad, and he was beginning to shake.

“I knew I’d get them babies!” he crowed. “I knew I’d fix them lousy bastards!” Then he stopped talking and his face began to change color. It got green. He leaned down slowly, dropped his rifle, put both his hands on his bent knees.

Ohls said: “You better go lay down somewhere, buddy. If I’m any judge of color, you’re goin’ to shoot your cookies.”

TEN

Tom Sneyd was lying on his back on a day bed in the front room of his little bungalow. There was a wet towel across his forehead. A little girl with honey-colored hair was sitting beside him, holding his hand. A young woman with hair a couple of shades darker than the little girl’s sat in the corner and looked at Tom Sneyd with tired ecstasy.

It was very hot when we came in. All the windows were shut and all the blinds down. Ohls opened a couple of front windows and sat down beside them, looked out towards the gray car. The dark Mexican was anchored to its steering wheel by his good wrist.

“It was what they said about my little girl,” Tom Sneyd said from under the towel. “That’s what sent me screwy. They said they’d come back and get her, if I didn’t play with them.”

Ohls said: “Okey, Tom. Let’s have it from the start.” He put one of his little cigars in his mouth, looked at Tom Sneyd doubtfully, and didn’t light it.

I sat in a very hard Windsor chair and looked down at the cheap, new carpet.

“I was readin’ a mag, waiting for time to eat and go to work,” Tom Sneyd said carefully. “The little girl opened the door. They come in with guns on us, got us all in here and shut the windows. They pulled down all the blinds but one and the Mex sat by that and kept looking out. He never said a word. The big guy sat on the bed here and made me tell him all about last night—twice. Then he said I was to forget I’d met anybody or come into town with anybody. The rest was okey.”

Ohls nodded and said: “What time did you first see this man here?”

“I didn’t notice,” Tom Sneyd said. “Say eleven-thirty, quarter of twelve. I checked in to the office at one-fifteen, right after I got my hack at the Carillon. It took us a good hour to make town from the beach. We was in the drugstore talkin’ say fifteen minutes, maybe longer.”

“That figures back to around midnight when you met him,” Ohls said.

Tom Sneyd shook his head and the towel fell down over his face. He pushed it back up again.

“Well, no,” Tom Sneyd said. “The guy in the drugstore told me he closed up at twelve. He wasn’t closing up when we left.”

Ohls turned his head and looked at me without expression. He looked back at Tom Sneyd. “Tell us the rest about the two gunnies,” he said.

“The big guy said most likely I wouldn’t have to talk to anybody about it. If I did and talked right, they’d be back with some dough. If I talked wrong, they’d be back for my little girl.”

“Go on,” Ohls said. “They’re full of crap.”

“They went away. When I saw them go on up the street I got screwy. Renfrew is just a pocket—one of them graft jobs. It goes on around the hill half a mile, then stops. There’s no way to get off it. So they had to come back this way . . . I got my twenty-two, which is all the gun I have, and hid in the bushes. I got the tire with the second shot. I guess they thought it was a blowout. I missed with the next and that put ’em wise. They got guns loose. I got the Mex then, and the big guy ducked behind the car . . . That’s all there was to it. Then you come along.”

Ohls flexed his thick, hard fingers and smiled grimly at the girl in the corner. “Who lives in the next house, Tom?”

“A man named Grandy, a motorman on the interurban. He lives all alone. He’s at work now.”

“I didn’t guess he was home,” Ohls grinned. He got up and went over and patted the little girl on the head.“You’ll have to come down and make a statement, Tom.”

“Sure.” Tom Sneyd’s voice was tired, listless. “I guess I lose my job, too, for rentin’ out the hack last night.”

“I ain’t so sure about that,” Ohls said softly. “Not if your boss likes guys with a few guts to run his hacks.”

He patted the little girl on the head again, went towards the door and opened it. I nodded at Tom Sneyd and followed Ohls out of the house. Ohls said quietly: “He don’t know about the kill yet. No need to spring it in front of the kid.”

We went over to the gray car. We had got some sacks out of the basement and spread them over the late Andrews, weighted them down with stones. Ohlsglanced that way and said absently: “I got to get to where there’s a phone pretty quick.”

He leaned on the door of the car and looked in at the Mexican. The Mexican sat with his head back and his eyes half-closed and a drawn expression on his brown face. His left wrist was shackled to the spider of the wheel.

“What’s your name?” Ohls snapped at him.

“Luis Cadena,” the Mexican said it in a soft voice without opening his eyes any wider.

“Which one of you heels scratched the guy at West Cimarron last night?”

“No understand, seor,” the Mexican said purringly.

“Don’t go dumb on me, spig,” Ohls said dispassionately. “It gets me sore.” He leaned on the window and rolled his little cigar around in his mouth.

The Mexican looked faintly amused and at the same time very tired. The blood on his right hand had dried black.

Ohls said: “Andrews scratched the guy in a taxi at West Cimarron. There was a girl along. We got the girl. You have a lousy chance to prove you weren’t in on it.”

Light flickered and died behind the Mexican’s half-open eyes. He smiled with a glint of small white teeth.

Ohls said: “What did he do with the gun?”

“No understand, seor.”

Ohls said: “He’s tough. When they get tough it scares me.”

He walked away from the car and scuffed some loose dirt from the sidewalk beside the sacks that draped the dead man. His toe gradually uncovered the contractor’s stencil in the cement. He read it out loud: “Dorr Paving and Construction Company, San Angelo. It’s a wonder the fat louse wouldn’t stay in his own racket.”

I stood beside Ohls and looked down the hill between the two houses. Sudden flashes of light darted from the windshields of cars going along the boulevard that fringed Gray Lake, far below.

Ohlssaid: “Well?”

I said: “The killers knew about the taxi—maybe—and the girl friend reached town with the swag. So it wasn’t Canales’ job. Canales isn’t the boy to let anybody play around with twenty-two grand of his money. The redhead was in on the kill, and it was done for a reason.”

Ohlsgrinned. “Sure. It was done so you could be framed for it.”

I said: “It’s a shame how little account some folks take of human life—or twenty-two grand. Harger was knocked off so I could be framed and the dough was passed to me to make the frame tighter.”

“Maybe they thought you’d highball,” Ohlsgrunted. “That would sew you up right.”

I rolled a cigarette around in my fingers. “That would have been a little too dumb, even for me. What do we do now? Wait till the moon comes up so we can sing—or go down the hill and tell some more little white lies?”

Ohls spat on one of Poke Andrews’ sacks. He said gruffly: “This is county land here. I could take all this mess over to the sub-station at Solano and keep it hush-hush for a while. The hack driver would be tickled to death to keep it under the hat. And I’ve gone far enough so I’d like to get the Mex in the goldfish room with me personal.”

“I’d like it that way too,” I said. “I guess you can’t hold it down there for long, but you might hold it down long enough for me to see a fat boy about a cat.”

ELEVEN

It was late afternoon when I got back to the hotel. The clerk handed me a slip which read: “Please phone F. D. as soon as possible.”

I went upstairs and drank some liquor that was in the bottom of a bottle. Then I phoned down for another pint, scraped my chin, changed clothes and looked up Frank Dorr’s number in the book. He lived in a beautiful old house on Greenview Park Crescent.

I made myself a tall smooth one with a tinkle and sat down in an easy chair with the phone at my elbow. I got a maid first. Then I got a man who spoke Mister Dorr’s name as though he thought it might blow up in his mouth. After him I got a voice with a lot of silk in it. Then I got a long silence and at the end of the silence I got Frank Dorr himself. He sounded glad to hear from me.

He said: “I’ve been thinking about our talk this morning, and I have a better idea. Drop out and see me . . . And you might bring that money along. You just have time to get it out of the bank.”

I said: “Yeah. The safe-deposit closes at six. But it’s not your money.”

I heard him chuckle. “Don’t be foolish. It’s all marked, and I wouldn’t want to have to accuse you of stealing it.”

I thought that over, and didn’t believe it—about the currency being marked. I took a drink out of my glass and said: “I
might
be willing to turn it over to the party I got it from—in your presence.”

BOOK: Trouble Is My Business
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